Buch, Englisch, 314 Seiten, Format (B × H): 250 mm x 206 mm, Gewicht: 940 g
Reihe: Contemporary Practices in Alternative Process Photography
Creating Your Own Liquid Emulsions for Black & White Paper
Buch, Englisch, 314 Seiten, Format (B × H): 250 mm x 206 mm, Gewicht: 940 g
Reihe: Contemporary Practices in Alternative Process Photography
ISBN: 978-0-8153-4991-4
Verlag: Taylor & Francis Inc
The book is divided into three sections: Section One lays the groundwork for this unique alternative process; Section Two provides the recipes; Section Three highlights contemporary silver gelatin artists.
The book features over 200 full-color images and covers key topics including:
Vocabulary: a list of terms used by traditional photographers and emulsion makers
- Creating work spaces with the right tools and materials
- Basic emulsion chemistry and paper coating techniques
- Working with various negative options, analog and digital
- Gaslight chloride contact printing paper
- Kodabromide-type chlorobromide all-purpose paper
- Bromide enlarging paper
- Warm tone paper and developers
- Making and toning your own printing-out paper (POP)
- Matte surface and baryta coating surface paper
- Paper negatives and making hand-drawn and digital masks
- Toning handmade paper
- Gum printing over handmade paper
- Troubleshooting handmade paper
- Artists working with handmade paper
The Handmade Silver Gelatin Emulsion Print is for photographers who love the look and creative potential of black and white traditional photography but who want more control over the process and the end product. It is written for the beginner to experienced photographer, with processes initially explained in such a way that anyone will feel comfortable getting started, as well as information in increasing levels of complexity so that experienced photographers who enjoy a challenge will also find one.
Zielgruppe
Professional and Professional Practice & Development
Autoren/Hrsg.
Weitere Infos & Material
Table of Contents
Acknowledgements
SECTION I—The Important Stuff Before the Recipes
Chapter 1. Introduction
Chapter 2. Vocabulary
Chapter 3. The Darkroom
Chapter 4. Materials
Chapter 5. The Basics
Chapter 6. Coating Paper
Chapter 7. Troubleshooting Coating
Chapter 8. Printing
Chapter 9. Processing
Chapter 10. Toning and Other Ways to Add Color
SECTION II—The Recipes
Chapter 11. Developers
Chapter 12. Baryta Coating Surface
Baryta Paper Coating
Chapter 13. Potassium Chloride (KCl) "Gaslight" Contact Printing Paper
Chapter 14. Three Salts Contact Printing Paper
Chapter 15. Chlorobromide (Kodabromide-Type) All-Purpose Paper
Chapter 16. Bromide Paper for Enlarging and Contact Printing Paper
Chapter 17. Gelatin-Chloride Printing-Out Paper (POP)
Chapter 18. Paper Negatives
SECTION III—The Contributors
Chapter 19. Ian Andvaag
Chapter 20. Radoslaw Brzozowski
Chapter 21. Didier Derien
Chapter 22. Edward Durrill
Chapter 23. Cate Sampson
Chapter 24. George L Smyth
Bibliography
