Towards a Philosophy of Digital Media

1. Auflage 2018
ISBN: 978-3-319-75758-2
Verlag: Springer

Buch, Englisch, 278 Seiten, Format (B × H): 153 mm x 216 mm, Gewicht: 3716 g

This book uses the conceptual tools of philosophy to shed light on digital media and on the way in which they bear upon our existence. At the turn of the century, the rise of digital media significantly changed our world. The digitizing of traditional media has extraordinarily increased the circulation of texts, sound, and images. Digital media have also widened our horizons and altered our relationship with others and with ourselves.

Information production and communication are still undoubtedly significant aspects of digital media and life. Recently, however, recording, registration and keeping track have taken the upper hand in both online practices and the imaginaries related to them. The essays in this book therefore focus primarily on the idea that digital media involve a significant overlapping between communication and recording. 

Zielgruppe

Research

Autoren/Hrsg.

Romele, Alberto

Terrone, Enrico

Fachgebiete

• Geisteswissenschaften Philosophie Moderne Philosophische Disziplinen Philosophie der Technik
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften
• Geisteswissenschaften Philosophie Geschichte der Westlichen Philosophie
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Kommunikationswissenschaften Digitale Medien, Internet, Telekommunikation
• Geisteswissenschaften Philosophie Sozialphilosophie, Politische Philosophie
• Technische Wissenschaften Technik Allgemein Philosophie der Technik

Inhaltsverzeichnis

Table of Contents

Alberto Romele and Enrico Terrone, Introduction.

Section 1 – Digital Media as Recording Devices

Bruno Bachimont, Between Formats and Data. When Communication Becomes Recording.

Maurizio Ferraris, From Capital to Documediality.

Janne Nielsen, Recording the Web.

Jacek Smolicki, You Press the Button, We Do the Rest.  Personal Archiving in Capture Culture.

Section 2 - Consequences of Digital Recording

Jos de Mul, Cognitive Space, Global Brains, and the Hive Mind. A Cognitive Evolutionary Account of Wikipedia.

Jacopo Domenicucci, Interpersonal Trust in an Age of Records.

Fanny Georges and Virginie Julliard, Digital Eternities.

Marta Severo, Safeguarding Without a Record? The Digital Inventories of Intangible Cultural Heritage.

Section 3 - Digital Media Beyond Recording

Stacey O’Neil Irwin, The Unbearable Lightness (and Heaviness) of Being Digital.

Galit Wellner, From Cellphones to Machine Learning. A Shift in the Role of the User in Algorithmic Writing.

Stefano Gualeni, A Philosophy of “Doing” in the Digital.

Alberto Romele, From Registration to Emagination.

Über Autor(innen)

Alberto Romele is Postdoctoral Researcher at the ETHICS Lab of the Lille Catholic University, France. He has previously been Assistant Professor in modern and contemporary philosophy at the University of Burgundy, and Postdoctoral Research Fellow of the Portuguese national research agency (FCT) at the Institute of Philosophy of the University of Porto. His research focuses on hermeneutics, philosophy of technology, and theories of the digital.

Enrico Terrone is Postdoctoral Researcher at the Università di Torino, Italy, and Associate Researcher at Collège d’études mondiales, Paris, France. He was awarded a Fellowship in Bonn (Käte Hamburger Kolleg) and one in Paris (FMSH – Gerda Henkel Stiftung). His work ranges aesthetics, social ontology and philosophy of technology. His primary area of research is philosophy of film.