Rogers On the Screen

Displaying the Moving Image, 1926–1942
1. Auflage 2019
ISBN: 978-0-231-54803-8
Verlag: De Gruyter
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 100 Seiten

Reihe: Film and Culture Series

Ariel Rogers rethinks the history of moving images by exploring how experiments with screen technologies in and around the 1930s changed the way films were produced, exhibited, and experienced. She challenges conventional narratives about the novelty of the twenty-first-century multiscreen environment.

Autoren/Hrsg.

Rogers, Ariel

Fachgebiete

• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Amerikanische Geschichte
• Technische Wissenschaften Technik Allgemein Technologie: Soziale & Ethische Aspekte
• Technische Wissenschaften Technik Allgemein Technikgeschichte
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte

Inhaltsverzeichnis

Acknowledgments
Introduction
1. Production Screens in the Long 1930s: Rear Projection and Special Effects
2. Theatrical Screens, 1926–1931: Transforming the Screen
3. Theatrical Screens, 1931–1940: Integrating the Screen
4. Extratheatrical Screens in the Long 1930s: Film and Television at Home and in Transit
Coda: Multiplicity, Immersion, and the New Screens
Notes
Bibliography
Index

Über Autor(innen)

Ariel Rogers is assistant professor in the Department of Radio/Television/Film at Northwestern University. She is the author of Cinematic Appeals: The Experience of New Movie Technologies (Columbia, 2013).