Popular Music Scenes and Cultural Memory

1. Auflage 2016
ISBN: 978-1-137-40203-5
Verlag: Palgrave Macmillan UK

Buch, Englisch, 206 Seiten, HC runder Rücken kaschiert, Format (B × H): 153 mm x 216 mm, Gewicht: 3846 g

Reihe: Pop Music, Culture and Identity

This volume explores the ways in which music scenes are not merely physical spaces for the practice of collective musical life but are also inscribed with and enacted through the articulation of cultural memory and emotional geography. The book draws on empirical data collected in cites throughout Australia.
In terms of understanding the relationship between music scenes and participants, much of the existing popular music literature tends to avoid one key aspect of scene: its predominant past-tense and memory-based nature. Nascent music scenes may be emergent and on-going but their articulation in the present is often based on past events, ideas and histories. There is a noticeable gap between the literature concerning popular music ethnography and the growing body of work on cultural memory and emotional geography. This book is a study of the conceptual formation and use of music scenes by participants. It is also an investigation of the structures underpinning music scenes more generally.

Zielgruppe

Research

Autoren/Hrsg.

Rogers, Ian

Bennett, Andy

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikgattungen Rock & Pop, Blues, Soul
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Populärkultur
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Museumskunde, Materielle Kultur, Erinnerungskultur
• Geisteswissenschaften Geschichtswissenschaft Geschichtswissenschaft Allgemein Geschichtspolitik, Erinnerungskultur
• Sozialwissenschaften Psychologie Allgemeine Psychologie Kognitionspsychologie Emotion, Motivation, Handlung

Inhaltsverzeichnis

Introduction: Scenes and memory.- Part I: Concepts.- 1.Scene ‘theory’: History, usage and influence.- 2.Music, memory, space and place.- Part II: Case studies.- 3.The origins of taste and precursors of scenes.- 4.Scenes, memory and the spaces of music consumption.- 5.Spaces of local music production.- 6.Virtuality: Images and the local archive.- 7.The distance from an unknown centre: The discourses of periphery and edge in music scenes

Über Autor(innen)

Andy Bennett is Professor of Cultural Sociology in the School of Humanities, Languages and Social Science at Griffith University, Australia. A leading figure in sociological studies of popular music and youth culture, he is author and editor of numerous books including Music, Style, and Aging, Music Scenes (co-edited with Richard A. Peterson) and Remembering Woodstock.
Ian Rogers is Lecturer of Popular Music in the School of Media and Communication at RMIT University. He is the author of numerous articles on musician ideologies, music policy and local music history and is an accomplished musician and critic.