A Dance of Polar Opposites

The Continuing Transformation of Our Musical Language
Erscheinungsjahr 2012
ISBN: 978-1-58046-413-0
Verlag: Boydell & Brewer

Buch, Englisch, Band 88, 186 Seiten, Print PDF, Format (B × H): 229 mm x 157 mm, Gewicht: 499 g

Reihe: Eastman Studies in Music

The renowned American composer George Rochberg (1918-2005) distilled a lifetime of insights about Western music across some three hundred years in A Dance of Polar Opposites: The Continuing Transformation of Our Musical Language.

In A Dance of Polar Opposites: The Continuing Transformation of Our Musical Language, the renowned American composer George Rochberg distilled a lifetime of insights about Western music across some three hundred years. Rochberg describes how the asymmetrical tonal language of the late eighteenth century--the era of Haydn and Mozart--evolved through the gradual incursion of symmetry into a system based on the juxtaposition of tonal and atonal, asymmetrical and symmetrical--as seen in notable composers such as Webern, Prokofiev, and Rochberg himself.

A Dance of Polar Opposites takes us inside the composer's studio, reveals how he assessed his and our musicalpast, and paints a picture of what he believed our musical future may be.

George Rochberg (1918-2005), one of the most respected composers and writers about music in the second half of the twentieth century, was a finalist twice for the Pulitzer Prize and longtime professor at University of Pennsylvania. His writings include The Aesthetics of Survival: A Composer's View of Twentieth-Century Music (which won the ASCAP-Deems Taylor Award);the memoir Five Lines, Four Spaces; and a volume of letters.

Jeremy Gill was a student of George Rochberg and is a composer, conductor, and pianist.

Autoren/Hrsg.

Rochberg, George

Jeremy Gill, Jeremy

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Geschichte der Musik
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre

Inhaltsverzeichnis

Introduction by Jeremy Gill
The Morphology of Musical Language
Diatonic Asymmetry, Enharmonic Spelling, and Multidirectionality
Intimations of Circularity: Embryonic Circular Sets
More Evolved Circular Sets
Fully Evolved Circular Sets
The Harmonic Envelope
The Harmonic Field
The Tonal Field
The Shadow of Futurity
A New Circle of Fifths
Afterword
George Rochberg Archives
Celebrating George Rochberg's Eightieth Year
Notes
Bibliography
Index

Über Autor(innen)

Jeremy Gill, Jeremy
JEREMY GILL is an independent composer.

Jeremy Gill, Jeremy
JEREMY GILL is an independent composer.

George Rochberg (1918-2005), one of the most respected composers and writers about music in the second half of the twentieth century, was a finalist twice for the Pulitzer Prize and longtime professor at University of Pennsylvania. His writings include The Aesthetics of Survival: A Composer's View of Twentieth-Century Music (which won the ASCAP-Deems Taylor Award); the memoir Five Lines, Four Spaces; and a volume of letters.

Jeremy Gill was a student of George Rochberg and is a composer, conductor, and pianist.