From Euro-Horror to American Cinema
Buch, Englisch, 256 Seiten, Format (B × H): 140 mm x 218 mm, Gewicht: 476 g
ISBN: 978-0-230-34154-8
Verlag: Palgrave MacMillan Us
How can love be understood globally as a problematic transgression rather than the narrative of "happy endings" that Hollywood has offered? The contributors utilize varying methodologies of textual analysis, psychoanalytic models, and cultural critique and engage with a broad range of films to explore issues of gender identity and spectatorship.
Zielgruppe
Research
Autoren/Hrsg.
Fachgebiete
- Sozialwissenschaften Soziologie | Soziale Arbeit Soziale Gruppen/Soziale Themen Gender Studies, Geschlechtersoziologie
- Sozialwissenschaften Psychologie Allgemeine Psychologie Kognitionspsychologie Emotion, Motivation, Handlung
- Sozialwissenschaften Psychologie Allgemeine Psychologie Differentielle Psychologie, Persönlichkeitspsychologie
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio
Weitere Infos & Material
Re-Imagining Censorship as 'Reel' Mutilation: Why not a G-rated Version of David Cronenberg's Crash; J.S.Robinson The Whip and the Body: Sex, Violence, and Performative Spectatorship in Euro-Horror S&M Cinema; A.I.Olney Lars von Trier's Anti Christ and the Australian 'lost child' Complex: Love, Loss and Emotional Indulgence; T.Waddell Black Bucks and Don Juans: Violent Romances of Race and Sex in Jane Campion's In the Cut; T.Lundy Mad Love: The Anxiety of Difference in the Films of Lon Chaney Snr.; K.Randell Love and Crime in Agatha Christie Films; M.Aldridge Monstrous Love: Oppression, Intimacy, and Transformation in Mary Reilly (1996); C.Miller Self-mutilation and Dark Love in Darren Aronofsky's Black Swan (2010) and Michael Haneke's The Piano Teacher (2000); K.A.Ritzenhoff Female Pleasure and Performance: Masochism in Belle de Jour and Story of O; S.Deighan What's in the Basket?: Sexualized and Sexualizing Violence in Frank Henenlotter's Basket Case; L.Cunningham Blood and Bravado: Violence, Eroticism, and Spain in Pedro Almodovar's Matador; M.Morris The Comedic Punch Line: Unpacking Scenes of Domestic Violence-as-humor in Tyler Perry Films; J.Hudson Obsessed and Fatally Attracted: The Gender and Racial Politics of Obsessed; S.Leonard High-Tech Pleasure: Seriality and Pornographic Body; S.Schaschek
