Musical Performance

Erscheinungsjahr 2002
ISBN: 978-0-521-78300-2
Verlag: Cambridge University Press

Buch, Englisch, 260 Seiten, Format (B × H): 175 mm x 250 mm, Gewicht: 634 g

This accessible guide for students, teachers and performers at all levels unravels the complexities of musical performance and focuses on key aspects of learning, playing and responding to music. A survey of performance through the ages leads to a presentation of basic historical, analytical and psychological concepts. Four chapters follow on teaching, development, practice and memorisation. The next section considers the 'translation' from score to sound, physical projection, ensemble playing and performance anxiety. The final section addresses the act of listening, the legacy of recordings, music criticism and 'performers on performance'.

Autoren/Hrsg.

Rink, John

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musikpädagogik, Gesangspädagogik
• Geisteswissenschaften Musikwissenschaft Musikinstrumente Instrumentenunterricht & Lernanleitungen
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Einzelne Komponisten und Musiker

Inhaltsverzeichnis

Introduction John Rink; Part I. Conceptions and Preconceptions: 1. Performing through history Colin Lawson; 2. Historical performance and the modern performer Peter Walls; 3. Analysis and (or?) performance John Rink; 4. Understanding the psychology of performance Eric Clarke; Part II. Learning to Perform: 5. On teaching performance Janet Ritterman; 6. Developing the ability to perform Jane Davidson; 7. Preparing for performance Stefan Reid; 8. Memorising music Aaron Williamon; Part III. Making Music: 9. From score to sound Peter Hill; 10. Communicating with the body in performance Jane Davidson; 11. Ensemble performance Elaine Goodman; 12. The fear of performance Elizabeth Valentine; Part IV. Interpreting Performance: 13. Listening to performance Eric Clarke; 14. The legacy of recordings Peter Johnson; 15. The criticism of musical performance Raymond Monelle; 16. Performers on performance Jonathan Dunsby.