Buch, Englisch, Band 137, 250 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 585 g
Reihe: Cambridge Studies in Nineteenth-Century Literature and Culture
Buch, Englisch, Band 137, 250 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 585 g
Reihe: Cambridge Studies in Nineteenth-Century Literature and Culture
ISBN: 978-1-108-83920-4
Verlag: Cambridge University Press
Drawing on an ambitious range of interdisciplinary material, including literature, musical treatises and theoretical texts, Music and the Queer Body explores the central place music held for emergent queer identities in the late-nineteenth and early-twentieth centuries. Canonical writers such as Walter Pater, E. M. Forster and Virginia Woolf are discussed alongside lesser-known figures such as John Addington Symonds, Vernon Lee and Arthur Symons. Engaging with a number of historical case studies, Fraser Riddell pays particular attention to the significance of embodiment in queer musical subcultures and draws on contemporary queer theory and phenomenology to show how writers associate music with shameful, masochistic and anti-humanist subject positions. Ultimately, this study reveals how literary texts at the fin de siècle invest music with queer agency: to challenge or refuse essentialist identities, to facilitate re-conceptions of embodied subjectivity, and to present alternative sensory experiences of space and time. This title is also available as Open Access on Cambridge Core.
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre
- Sozialwissenschaften Soziologie | Soziale Arbeit Soziale Gruppen/Soziale Themen Gender Studies: Homosexualität, LGBTQ+
- Geisteswissenschaften Literaturwissenschaft Literaturgeschichte und Literaturkritik
- Sozialwissenschaften Soziologie | Soziale Arbeit Soziale Gruppen/Soziale Themen Gender Studies, Geschlechtersoziologie
Weitere Infos & Material
Introduction; 1. Music, emotion and the homosexual subject; 2. Flesh: Music, masochism, queerness; 3. Voice: Disembodiment and desire; 4. Touch: Transmission, contact, connection; 5. Time: Backwards listening; Coda.