Buch, Englisch, 230 Seiten, Print PDF, Format (B × H): 180 mm x 248 mm, Gewicht: 776 g
Buch, Englisch, 230 Seiten, Print PDF, Format (B × H): 180 mm x 248 mm, Gewicht: 776 g
ISBN: 978-1-84383-331-4
Verlag: BOYDELL PR
Revisionist study of the wall-paintings of Salisbury Cathedral, setting them in the context of thirteenth-century religious reform.
Although Salisbury Cathedral is one of the most famous surviving buildings from medieval Europe, the monumental cycle of vault paintings which adorns the eastern arm has not received the attention it deserves. Here, for the firsttime, the wall-paintings are considered fully, and set properly within the architectural and liturgical contexts of the Cathedral church, which was designed as the flagship of thirteenth-century church reform. The author argues that they were an integral component of the cathedral church as it was planned out before 1220, and that they were designed to complement and inform the new liturgical rite, the Use of Sarum. In contrast to a tradition that considered Salisbury's response to reform to be an ascetic one, then, this book shows that the painting, architecture, and liturgy of the cathedral were geared to providing a highly sensory, emotive and transformative religious experiencefor Salisbury's secular canons.
MATTHEW M. REEVE is Associate Professor of Art History at Queen's University and a Fellow of the Society of Antiquaries.
Reeve / Matthew Reeve
Thirteenth-Century Wall Painting of Salisbury Cathedral: Art, Liturgy, and Reform jetzt bestellen!
Although Salisbury Cathedral is one of the most famous surviving buildings from medieval Europe, the monumental cycle of vault paintings which adorns the eastern arm has not received the attention it deserves. Here, for the firsttime, the wall-paintings are considered fully, and set properly within the architectural and liturgical contexts of the Cathedral church, which was designed as the flagship of thirteenth-century church reform. The author argues that they were an integral component of the cathedral church as it was planned out before 1220, and that they were designed to complement and inform the new liturgical rite, the Use of Sarum. In contrast to a tradition that considered Salisbury's response to reform to be an ascetic one, then, this book shows that the painting, architecture, and liturgy of the cathedral were geared to providing a highly sensory, emotive and transformative religious experiencefor Salisbury's secular canons.
MATTHEW M. REEVE is Associate Professor of Art History at Queen's University and a Fellow of the Society of Antiquaries.
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: Byzantinisch
- Geisteswissenschaften Kunst Kunststile Christliche Kunst
- Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: Völkerwanderung und Mittelalter
- Geisteswissenschaften Christentum, Christliche Theologie Christentum/Christliche Theologie Allgemein Christliche Kunst und Kultur
- Geisteswissenschaften Kunst Künstlerische Stoffe, Motive, Themen Künstlerische Stoffe, Motive, Themen: Religiöse Themen
- Geisteswissenschaften Geschichtswissenschaft Alte Geschichte & Archäologie Frühchristliche, byzantinische Archäologie
- Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Malerei: Gemälde
Weitere Infos & Material
The Arts of Reform at Salisbury
The Architectural Context: Construction and Interpretation c. 1220-58
The Polychromy in Context: Evidence, Date and Style
The Spatial Map of the Eastern Arm: the Vault Paintings and their Architectural and Liturgical Contexts
Imagery and Experience in the Eastern Arm
Conclusion
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