Making Humanitarian Crises

Emotions and Images in History
1. Auflage 2008
ISBN: 978-3-031-00826-9
Verlag: Springer International Publishing

Buch, Englisch, 200 Seiten, Format (B × H): 148 mm x 210 mm, Gewicht: 266 g

Reihe: Palgrave Studies in the History of Emotions

This open access book explores the emotional agency of images in the construction of ‘humanitarian crises’ from the nineteenth century to the present. Using the prism of the histories of emotions and the senses, the chapters examine the pivotal role images have in shaping cultural, social and political reactions to the suffering of others and to the establishment of the international networks of solidarity. Questioning certain emotions assumed to underlie humanitarianism such as sympathy, empathy and compassion, they demonstrate how the experience of such emotions has shifted over time. Understanding images as emotional objects, contributors from a wide horizon of disciplines explore how their production, circulation and reception has been crucial to the perception of humanitarian crises in a long-term historical perspective.

Autoren/Hrsg.

Reese, Robert

Davis, Justin

Fachgebiete

• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Weltgeschichte
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Kultur- und Ideengeschichte
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio

Inhaltsverzeichnis

Chapter 1. Crisis? What Crisis? Making Humanitarian Crises Visible in the History of Emotions; Dolores Martín-Moruno.- Chapter 2. ‘Especial Outrage to Humanity and Civilisation.’ The Atrocities of General Juan Manuel de Rosas and the Pursuit of Empathy; Moisés Prieto.- Chapter 3. Projecting Guilt and Shame in Wartime: How British State and Philanthropy Lectured on the Benefits of Retraining Schemes for Disabled Veteran Workers, 1914-1919; Jason Bate.- Chapter 4. The Touch of the Image: Affect and Materiality in Photojournalism of the Spanish Civil War; Jo Labanyi.- Chapter 5. Archiving the Trauma of Internment Camps in Film: Jacqueline Veuve’s Journal de Rivesaltes, 1941-1942, (1997); Brenda Lynn Edgar.- Chapter 6. Empathy, Irony and Humanitarian Witness in The Photographer; Ariela Freedman.- Chapter 7. From Empathy to Shame: The Use of Virtual Reality by Humanitarian Organisations; Valérie Gorin.- Chapter 8. Afterword: Humanitarian Visual Practices: Emotions, Experience; Brenda Lynn Edgar and Valérie Gorin.

Über Autor(innen)

Brenda Lynn Edgar is Senior Teaching and Research Associate at the Institute for Ethics, History and Humanities at theUniversity of Geneva, Switzerland. Her research focuses on the material culture history of photography. She has published on decorative photographic practices, landscape photography used in clinical environments, and women humanitarians in anthropological cinema.



Valérie Gorin is Senior Lecturer and Researcher at the Geneva Center of Humanitarian Studies, a joint center of the University of Geneva and the Graduate Institute, Switzerland. A historian and media scholar, she has published extensively on humanitarian history, visual culture and digital communication since a decade.



Dolores Martín-Moruno is Swiss National Science Foundation Professor at the Institute for Ethics, History and the Humanities at the Faculty of Medicine of the University of Geneva, Switzerland. She has published widely on the history of emotions and the history of humanitarian relief.