Staging Haiti in Nineteenth-Century America

Erscheinungsjahr 2025
ISBN: 978-1-009-11318-2
Verlag: Cambridge University Press

Buch, Englisch, 227 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 308 g

Reihe: Cambridge Studies in Modern Theatre

American culture maintained a complicated relationship with Haiti from its revolutionary beginnings onward. In this study, Peter P. Reed reveals how Americans embodied and re-enacted their connections to Haiti through a wide array of performance forms. In the wake of Haiti's slave revolts in the 1790s, generations of actors, theatre professionals, spectators, and commentators looked to Haiti as a source of both inspiring freedom and vexing disorder. French colonial refugees, university students, Black theatre stars, blackface minstrels, abolitionists, and even writers such as Herman Melville all reinvented and restaged Haiti in distinctive ways. Reed demonstrates how Haiti's example of Black freedom and national independence helped redefine American popular culture, as actors and audiences repeatedly invoked and suppressed Haiti's revolutionary narratives, characters, and themes. Ultimately, Haiti shaped generations of performances, transforming America's understandings of race, power, freedom, and violence in ways that still reverberate today.

Autoren/Hrsg.

Reed, Peter

Inhaltsverzeichnis

Introduction: performing the Haitian revolution; 1. Rebels and refugees: sentimental suffering and antic revolt in the 1790s; 2. The lessons of Haiti: performance, pedagogy, and the politics of Haitian independence; 3. Virtuosity, illegitimacy, and Haitian royalty: Ira Aldridge and Christophe, King of Hayti; 4. Travesty and transformation: Haiti and blackface minstrelsy; 5. Abolitionist acts: Haitian respectability, oratory, and celebrity performance; Conclusion: the pleasures and perils of revolutionary reenactment.

Über Autor(innen)

Reed, Peter
Peter P. Reed is Associate Professor of Early American Literature at the University of Mississippi. He is the author of Rogue Performances (2009) as well as essays on Black Atlantic performance, theatre culture, and Haiti's impact on American culture.