Rawes / Unknown / Saglia Byron and Italy

1. Auflage 2017
ISBN: 978-1-5261-2607-8
Verlag: De Gruyter
Format: PDF
Kopierschutz: PC/MAC/eReader/Tablet

E-Book, Englisch, 264 Seiten

How did Italy Italianise Byron? And how did Byron Byronise Italy? These are the key questions that the volume sets out to answer.

Autoren/Hrsg.

Unknown,

Rawes, Alan

Saglia, Diego

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Romanische Literaturen Italienische Literatur
• Geisteswissenschaften Literaturwissenschaft Englische Literatur

Inhaltsverzeichnis

Introduction – Alan Rawes and Diego Saglia
1 The literature of Italy in Byron’s poems of 1817–20 – Nicholas Halmi
2 Byron’s ethnographic eye: the poet among the Italians – Gioia Angeletti
3 From Lord Nelvil to Dugald Dalgetty: Byron’s Scottish identity in Italy – Jonathan Gross
4 The garden of the world: Byron and the geography of Italy – Mauro Pala
5 ‘Something I have seen or think it possible to see’: Byron and Italian art in Ravenna – Jane Stabler
6 ‘Something sensible to grasp at’: Byron and Italian Catholicism – Bernard Beatty
7 The politics of the unities: tragedy and the Risorgimento in Byron and Manzoni – Arnold Anthony Schmidt
8 Parisina, Mazeppa and Anglo-Italian displacement – Peter W. Graham
9 This ‘still exhaustless mine’: De Staël, Goethe and Byron’s Roman lyricism – Alan Rawes
10 Playing with history: Byron’s Italian dramas – Mirka Horová
11 ‘Where shall I turn me?’ Italy and irony in Beppo and Don Juan – Diego Saglia
Index

Über Autor(innen)

Rawes Alan:
Alan Rawes is Lecturer in Romanticism at the University of ManchesterAlan Rawes is Senior Lecturer in Romanticism at the University of Manchester

Diego Saglia is Professor of English Literature at the University of Parma