The Northern Soul scene is a dance-based music culture that originated in the English North and Midlands in the early 1970s, it still thrives today with a mix of fifty-year olds and new converts, and its celebration of 1960s Soul has an international following. This innovative and distinctive book brings together original commissioned essays and pivotal scholarly articles that have defined the field so far, interspersed with dossiers of published journalistic articles and photographs, and interviews with, for instance, producers and directors of Northern Soul-themed films. This publication represents a subject-defining book on the history and contemporary nature of the scene, and the first anthology of work in the field, which will provide a forum for vibrant dialogue and debate for a readership of lecturers and researchers, students and general readers interested in creative analyses and interpretations of the scene, past and present. The book links academic research, photography, film production and journalism in the documentation and analysis of historic and current music scenes. Representations of the scene from different media and different historical locations are juxtaposed to construct a rich and diverse statement about the music, people, places and practices that constitute the Northern Soul scene in the UK.
Raine / Wall / Smith
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Sarah Raine is a Research Fellow at Birmingham City University. She is co-Managing Editor of Riffs: Experimental writing on popular music, Review Editor and special issue Guest Editor (2018) for IASPM@Journal, and the Network Coordinator for Jazz & Everyday Aesthetics.
Tim Wall is Professor of Radio and Popular Music Studies, and Associate Dean for Research in the Faculty of Arts, Design and Media at Birmingham City University. His publications include the second edition of Studying Popular Music Culture. Nicola Watchman Smith is Head of Higher Education at Newcastle College University Centre and a cultural sociologist and researcher. She has published widely on northern soul, including chapters in The Ashgate Research Companion to Popular Musicology (2009) and Ageing and Youth Cultures: Music, Style and Identity (2012).