E-Book, Englisch, 222 Seiten
E-Book, Englisch, 222 Seiten
Reihe: Children's Literature and Culture
ISBN: 978-1-136-82916-1
Verlag: Taylor & Francis
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)
The book demonstrates that tensions between innocence and sexuality render much of children’s literature queer, especially when these texts disavow sexuality through celebrations of innocence. In this original study, Pugh develops interpretations of sexuality that few critics have yet ventured, paving the way for future scholarly engagement with larger questions about the ideological role of children's literature and representations of children's sexuality.
Tison Pugh is Associate Professor in the Department of English at the University of Central Florida. He is the author of Queering Medieval Genres and Sexuality and Its Queer Discontents in Middle English Literature and has published on children’s literature in such journals as Children’s Literature, The Lion and the Unicorn, and Marvels and Tales.
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Series Editor Foreword Notes on the Text Acknowledgments Introduction 1: "There lived in the Land of Oz two queerly made men": Queer Utopianism and Antisocial Eroticism in L. Frank Baum’s Oz Books 2: Eternal Childhood, Taming Tomboyism, and Equine Erotic Triangles in Laura Ingalls Wilder’s Little House Series 3: Erotic Heroism, Redemptive Teen Sexuality, and the Queer Republic of Heaven in Philip Pullman’s His Dark Materials 4: Dumbledore’s Queer Ghost: Homosexuality and Its Heterosexual Afterlives in J. K. Rowling’s Harry Potter Novels 5: "What, Then, Does Beatrice Mean?": Hermaphroditic Gender, Predatory Heterosexuality, and Promiscuous Allusions in Daniel Handler / Lemony Snicket’s A Series of Unfortunate Events 6: Excremental Eroticism, Carnivalesque Desires, and Gross Adolescence in Eoin Colfer’s Artemis Fowl 7: Masochistic Abstinence, Bug Chasing, and the Erotic Death Drive in Stephenie Meyer’s Twilight Series 8: Conclusion: Homosexuality and the End of Innocence in David Levithan’s Boy Meets Boy