Making Music in Selznick's Hollywood

Erscheinungsjahr 2017
ISBN: 978-0-19-937111-2
Verlag: Oxford University Press

Buch, Englisch, 416 Seiten, Format (B × H): 155 mm x 239 mm, Gewicht: 680 g

Reihe: Oxford Music/Media Series

Iconic images from fiery scenes of catharsis in Gone With the Wind and Rebecca to The Third Man's decadent cinematography have proven inseparable from their accompanying melodies. From the 1910s-50s, producer David O. Selznick depended upon music to distinguish his films from his competitors'. By demonstrating music's value in film and encouraging its distribution through sheet music, concerts, radio broadcasts, and soundtrack albums,
Selznick changed audiences' relationship to movie music. But what role did Selznick play in the actual music composition that distinguished his productions, and how was that music made? As the first of its kind to consider film music from the perspective of a producer, this book tells the story of the evolution of Selznick's style
through the many artists whose work defined Hollywood sound. Utilizing thousands of archival documents, chapters in this book unearth and analyze Selznick's efforts in the late silent-era, his work at three major Hollywood studios, and his accomplishments as an independent producer, including music-making for King Kong, A Star is Born, Prisoner of Zenda, Duel in the Sun, among many others.

Autoren/Hrsg.

Platte, Nathan

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmtheorie, Filmanalyse
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften Fernsehen & Rundfunk
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Einzelne Komponisten und Musiker
• Geisteswissenschaften Musikwissenschaft Musikgattungen Andere zeitgenössische Musikrichtungen

Über Autor(innen)

Nathan Platte teaches music history at the University of Iowa. He is co-author of Franz Waxman's Rebecca: A Film Score Guide (Scarecrow Press, 2012) and co-editor of The Routledge Film Music Sourcebook (Routledge, 2011).