Ghosts of Theatre and Cinema in the Brain

1. Auflage 2006
ISBN: 978-1-349-53343-5
Verlag: Palgrave Macmillan US

Buch, Englisch, 323 Seiten, Paperback, Format (B × H): 140 mm x 216 mm, Gewicht: 424 g

Reihe: Palgrave Studies in Theatre and Performance History

Pizzato focuses on the staging of Self and Other as phantom characters inside the brain (in the 'mind's eye', as Hamlet says). He explores the brain's anatomical evolution from animal drives to human consciousness to divine aspirations, through distinctive cultural expressions in stage and screen technologies.

Zielgruppe

Research

Autoren/Hrsg.

Pizzato, M.

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Mentalitäts- und Sozialgeschichte
• Interdisziplinäres Wissenschaften Wissenschaften Interdisziplinär Neurowissenschaften, Kognitionswissenschaft

Inhaltsverzeichnis

Introduction Will the Real Cogito Please Stand Up? Ancient Specters (Prehistoric, Egyptian, Greek, and Roman) Phantom Limbs, Unconscious Zombies, and Multiple Selves Shakespeare's Roman Shades (Titus Andronicus and Titus) Theatrical Elements in the Mind's Eye Ghosts of Hamlet Onscreen Selective Spirits in Evolution Noh Desires and The Others Brain Stages

Über Autor(innen)

MARK PIZZATO is Professor of Theatre and Film at the University of North Carolina-Charlotte, USA. He is the author of Edges of Loss: From Modern Drama to Postmodern Theory (University of Michigan, 1998), Theatres of Human Sacrifice: From Ancient Ritual to Screen Violence (SUNY, 2005), Ghosts of Theatre and Cinema in the Brain (Palgrave, 2006), Inner Theatres of Good and Evil: The Mind's Staging of Gods, Angels and Devils (McFarland, 2011), and Beast-People Onscreen and in Your Brain (Praeger, 2016). Pizzato also co-edited, with Lisa Perdigao, Death in American Texts and Performances (Routledge, 2016).