Psychoanalysis and the Unrepresentable

From Culture to the Clinic
1. Auflage 2016
ISBN: 978-1-138-95498-4
Verlag: Taylor & Francis

Buch, Englisch, 262 Seiten, Format (B × H): 155 mm x 229 mm, Gewicht: 363 g

Psychoanalysis and the Unrepresentable opens a space for meaningful debate about translating psychoanalytic concepts from the work of clinicians to that of academics and back again. Focusing on the idea of the unrepresentable, this collection of essays by psychoanalysts, psychotherapists, counsellors, artists and film and literary scholars attempts to think through those things that are impossible to be thought through completely.

Offering a unique insight into areas like trauma studies, where it is difficult – if not impossible – to express one’s feelings, the collection draws from psychoanalysis in its broadest sense and acts as a gesture against the fixed and the frozen. Psychoanalysis and the Unrepresentable is presented in six parts: Approaching Trauma, Sense and Gesture, Impossible Poetics, Without Words, Wounds and Suture and Auto/Fiction. The chapters therein address topics including touch and speech, adoption, the other and grief, and examine films including Gus Van Sant’s Milk and Michael Haneke’s Amour. As a whole, the book brings to the fore those things which are difficult to speak about, but which must be spoken about.

The discussion in this book will be key reading for psychoanalysts, including those in training, psychotherapists and psychotherapeutically-engaged scholars, academics and students of culture studies, psychosocial studies, applied philosophy and film studies, filmmakers and artists.

Zielgruppe

Postgraduate and Professional

Autoren/Hrsg.

Piotrowska, Agnieszka

Tyrer, Ben

Fachgebiete

• Sozialwissenschaften Psychologie Psychologie / Allgemeines & Theorie Psychologische Theorie, Psychoanalyse Psychoanalyse (S. Freud)

Inhaltsverzeichnis

Introduction: Representing the Unrepresentable 1. The Body Locked by a Lack of Meaning 2. Trauma without a Subject: On Malabou, Psychoanalysis and Amour 3. A Possible Way to Represent the Un-representable in Clinical Trauma 4. (Un)Representing the Real: Seeing Sounds and Hearing Images 5. On Touching and Speaking in (Post) (de) Colonial discourse: from Lessing to Marechera and Veit-Wild 6. Pointing at the Other 7. Is poetics a fiction about truth – in a poem? Some remarks about Paul Celan 8. Presenting The Unrepresentable In Presentable Ways 9. Duras and the Art of the Impossible 10. Representation without Language: Freud and the Problem of the Image 11. Understanding Without Words 12. Rethinking the Primal Wound, Trauma and the Fantasy of Completeness: Adopted Women’s Experiences of Meeting their Biological Fathers in Adulthood 13. Embodying Traumatic Griefscapes 14. Suture and Gus Van Sant’s Milk 15. Unnameable 16. Each Day at a Time 17. The Scent of Philosophy Index

Über Autor(innen)

Agnieszka Piotrowska, PhD, is an acclaimed filmmaker and theorist. Her current work focuses on post-colonial relationships in Zimbabwe. She is the author of Psychoanalysis and Ethics in Documentary Film; Black and White: Cinema, politics and the arts in Zimbabwe and the editor of Embodied Encounters: New approaches to psychoanalysis and cinema (all Routledge). She is a Reader in Film at the University of Bedfordshire.

Ben Tyrer teaches Film Studies at King’s College London. He has published widely on psychoanalysis and cinema.

Piotrowska and Tyrer together run Psychoanalysis in Our Time, an international research network funded by the Nordic Summer University.