Buch, Englisch, Band 280/27, 282 Seiten, Format (B × H): 162 mm x 244 mm, Gewicht: 681 g
Buch, Englisch, Band 280/27, 282 Seiten, Format (B × H): 162 mm x 244 mm, Gewicht: 681 g
ISBN: 978-90-04-36755-5
Verlag: Brill
Religion remains a vital question in the life and career of Bruegel, because it was so long believed to be more or less absent from his work. As a pioneer of the new genres of landscape and peasant scenes, Bruegel was heralded as a ground-breaking “secular” painter. This volume highlights the most recent scholarship on the artist, offering a much more nuanced portrait of Bruegel’s engagement with the dynamic religious landscape of the mid-sixteenth century.
Contributors are: Jessica Buskirk, Ralph Dekoninck, Bertram Kaschek, Walter S. Melion, Jürgen Müller, Anna Pawlak, Gerd Schwerhoff, Larry Silver, and Michel Weemans.
Fachgebiete
- Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: Renaissance, Manierismus
- Geisteswissenschaften Kunst Kunst, allgemein Einzelne Künstler: Biographien, Monografien
- Geisteswissenschaften Kunst Künstlerische Stoffe, Motive, Themen Künstlerische Stoffe, Motive, Themen: Religiöse Themen
- Geisteswissenschaften Religionswissenschaft Religionswissenschaft Allgemein
Weitere Infos & Material
Acknowledgements
List of Illustrations
Notes on the Contributors
1 Pieter Bruegel the Elder and Religion: A Historiographical Introduction
Bertram Kaschek
2 Of Birdnesters and Godsearchers: A New Interpretation of Pieter Bruegel the Elder’s The Beekeepers
Jürgen Müller
3 Peter Bruegel and the Problem of Vision
Larry Silver
4 Virtue or Tyranny? Pieter Bruegel, Justitia, and the Myth of the Inquisition
Gerd Schwerhoff
5 The First Temptation of Christ: An Evolving Iconographic Trope in Sixteenth-Century Antwerp
Jessica Buskirk
6 The Imaginarium of Death: Pieter Bruegel’s The Triumph of Death
Anna Pawlak
7 Evidentiae Resurrectionis: On the Mystery Discerned but not Seen in Pieter Bruegel’s Resurrection of ca. 1562–1563
Walter S. Melion
8 Falling Idols, Rising Icons: Bruegel’s Flight into Egypt and the Embeddedness of Sacred Images in Nature
Ralph Dekoninck
9 Pieter Bruegel’s Hunters in the Snow and Insidiosus Auceps as Trap Images
Michel Weemans