A Cinema of Hopelessness

The Rhetoric of Rage in 21st Century Popular Culture
1. Auflage 2021
ISBN: 978-3-030-74135-8
Verlag: Springer International Publishing

Buch, Englisch, 123 Seiten, HC runder Rücken kaschiert, Format (B × H): 153 mm x 216 mm, Gewicht: 303 g

Reihe: Rhetoric, Politics and Society

This book explores the circulation of anger and hostility in contemporary American culture with particular attention to the fantasy of refusal, a dream of rejecting all the structures of the contemporary political and economic system. Framing the question of public sentiment through the lens of rhetorical studies, this book traces the circulation of symbols that craft public feelings in contemporary popular cinema. Analyzing popular twenty-first century films as invitations to a particular way of feeling, the book delves into the way popular sentiments are circulated and intensified. The book examines dystopian films (The Purge, The Cabin in the Woods), science fiction (Snowpiercer), and superhero narratives (the Marvel Cinematic Universe and Joker). Across these varied films, an affective economy that emphasizes grief, betrayal, refusal, and an underlying rage at the seeming hopelessness of contemporary culture is uncovered. These examinations are framedin terms of ongoing political protests ranging from Occupy Wall Street, the Tea Party, Black Lives Matter, and the 6 January 2021 invasion of the US Capitol Building.

Zielgruppe

Research

Autoren/Hrsg.

Phillips, Kendall R.

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Populärkultur

Inhaltsverzeichnis

Chapter 1. Introduction: Echoes of Refusal.- Chapter 2. A Certain Tendency in Post-Occupy Cinema: The Cabin in the Woods, The Purge, and Snowpiercer.- Chapter 3. “You Get What You Fucking Deserve”: Joker and the Fantasies of Refusal.- Chapter 4. Of Gods and Monsters: Grief, Betrayal, and Failure in the Marvel Cinematic Universe. Chapter 5. Conclusion: Endgame?./

Über Autor(innen)

Kendall R. Phillips is Professor of Communication and Rhetorical Studies at Syracuse University, USA. His publications include Projected Fears: Horror Films and American Culture (2005), Dark Directions: Romero, Craven, Carpenter and the Modern Horror Film (2012) and A Place of Darkness: The Rhetoric of Horror in Early American Cinema (2018).