Phiddian Satire and the Public Emotions

Erscheinungsjahr 2019
ISBN: 978-1-108-86474-9
Verlag: Cambridge University Press
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 0 Seiten

Reihe: Elements in Histories of Emotions and the Senses

The dream of political satire - to fearlessly speak truth to power - is not matched by its actual effects. This study explores the role of satirical communication in licensing public expression of harsh emotions defined in neuroscience as the CAD (contempt, anger, disgust) triad. The mobilisation of these emotions is a fundamental distinction between satirical and comic laughter. Phiddian pursues this argument particularly through an account of Jonathan Swift and his contemporaries. They played a crucial role in the early eighteenth century to make space in the public sphere for intemperate dissent, an essential condition of free political expression.

Autoren/Hrsg.

Phiddian, Robert

Fachgebiete

• Naturwissenschaften Biowissenschaften Biowissenschaften Neurobiologie, Verhaltensbiologie
• Geisteswissenschaften Geschichtswissenschaft Geschichtswissenschaft Allgemein
• Geisteswissenschaften Philosophie Philosophie: Allgemeines, Methoden
• Geisteswissenschaften Literaturwissenschaft Literaturgeschichte und Literaturkritik
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Kultur- und Ideengeschichte
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Mentalitäts- und Sozialgeschichte
• Sozialwissenschaften Psychologie Allgemeine Psychologie Kognitionspsychologie Emotion, Motivation, Handlung

Inhaltsverzeichnis

1. The functions of satire; 2. Satire and the contempt anger disgust (CAD) triad of emotions; 3. The passions, satire, and liberty of expression in the craftsman moment; 4. Gulliver's Travels – 'wit, confederated with truth'; 5. Epilogue. Satire in the digital age.

Über Autor(innen)

Phiddian, Robert
Robert Phiddian is Professor of English at Flinders University. He is author of Swift's Parody (1995) and (with Julian Meyrick and Tully Barnett) What Matters? Talking Value in Australian Culture (2018). He edited (with Haydon Manning) Comic Commentators – Contemporary Political Cartooning in Australia (2008) and (with David Lemmings and Heather Kerr) Passions, Sympathy and Print Culture: Public Opinion and Emotional Authenticity in Eighteenth-Century Britain (2016). He is author or co-author of nearly 50 academic articles or chapters. He was the founding director of the Australasian Consortium of Humanities Research Centres (2011-17) and sits on the board of the international Consortium of Humanities Centers and Institutes.