E-Book, Englisch, Band 300, 240 Seiten
Reihe: Princeton Legacy Library
Peucker Incorporating Images
Course Book
ISBN: 978-1-4008-6402-7
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)
Film and the Rival Arts
E-Book, Englisch, Band 300, 240 Seiten
Reihe: Princeton Legacy Library
ISBN: 978-1-4008-6402-7
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)
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Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
List of Illustrations
Acknowledgments
Introduction: Bodies and Boundaries 3
Ch. 1 Movement, Fragmentation, and the Uncanny 8
Unnatural Conjunctions: The Heterogeneous Text 10
"Its Strange Mixture of the Natural and the Artificial": The Presence of Kleist 15
"Bits of Bodies": The Fragmented Text 17
Man and the Cinema Machine: Magician, Psychoanalyst, Scientist: The Case of Dr. Caligari 21
Fritz Lang, the Apparatus, and the Fissured Text 31
Magician and Surgeon 42
"Knife Phobia" 44
"Doing It with Scissors": Dismemberment in Hitchcock 45
Ch. 2 Monstrous Births: The Hybrid Text 55
Miscegenation and the Sister Arts: Griffith's Broken Blossoms 57
Hitchcock's "Half-Caste" 67
Murnau 73
Cinematic Vampirism 73
Painting and Repression 79
Herzog's Unassimilable Bodies 88
Witchcraft, Vision, and Incest: Dreyer's Day of Wrath 94
The Phantom of the Cinema: Body and Voice 101
Ch. 3 Incorporation: Images and the Real 104
Trompe l'Oeil Effects 104
Cinema and the Real 114
Body Language: Kleist's and Rohmer's Marquise 119
Hitchcock as Pygmalion 130
Wings of Desire: Reality, Text, Embodiment 137
Kleist, Tableau Vivant, and the Pornographic 143
Fassbinder's Cinema of Mixed Modes: Tableau Vivant and the Real 147
Incorporation in Greenaway 156
Painful Images 166
Afterword: Ut pictura poesis 168
Notes 175
Index 215