Pejrolo / DeRosa Acoustic and MIDI Orchestration for the Contemporary Composer

A Practical Guide to Writing and Sequencing for the Studio Orchestra
2. Auflage 2016
ISBN: 978-1-317-62560-5
Verlag: CRC Press
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 400 Seiten

Acoustic and MIDI Orchestration for the Contemporary Composer, Second Edition provides effective explanations and illustrations to teach you how to integrate traditional approaches to orchestration with the use of the modern sequencing techniques and tools available to today’s composer. By covering both approaches, Pejrolo and DeRosa offer a comprehensive and multifaceted learning experience that will develop your orchestration and sequencing skills and enhance your final productions.

A leading manual on its subject, the second edition allows experienced composers and producers to be exposed to sequencing techniques applied to traditional writing and arranging styles. The book continues to provide a comprehensive and solid learning experience and has been fully revised to include the latest tools and techniques.

The new edition has been updated to include:

- A new chapter on cover writing and sequencing for vocal ensembles

- Coverage of writing for different ensemble sizes

- A new final chapter on writing and production techniques for mixed contemporary ensembles.

- All new techniques, tools, and sound libraries available to today’s composer.

A companion website (www.routledge.com/cw/pejrolo) includes a wide selection of audio examples, templates, sounds, and videos showcasing operational processes, allows you the opportunity to listen to the techniques discussed within the book.

Autoren/Hrsg.

Pejrolo, Andrea

DeRosa, Richard

Fachgebiete

• Technische Wissenschaften Sonstige Technologien | Angewandte Technik Akustik, Tontechnik

Inhaltsverzeichnis

Table of Contents

Foreword



Chapter 1 - Basic Concepts for the MIDI Composer, Arranger and Orchestrator



Chapter 2 – Writing and Sequencing for Rhythm Section



Chapter 3 – Writing and Sequencing for the String Orchestra



Chapter 4 – Writing and Sequencing for the Woodwind Section



Chapter 5 – Writing and sequencing for the Brass Section



Chapter 6 – Writing and sequencing for Vocal Ensembles



Chapter 7 – Writing and sequencing for Vocal Ensembles and Other Final Considerations



Appendix A – Music Scores and examples

Über Autor(innen)

Andrea Pejrolo is the Assistant Chair of the Contemporary Writing and Production Department at Berklee College of Music in Boston, as well as a composer, producer, music technology expert, audio engineer, and bassist. He is the author of Creative Sequencing Techniques for Music Production, Acoustic and MIDI Orchestration for the Contemporary Composer, and has written several articles for music magazines, including Sound On Sound Magazine, MacWorld, Computer Studio Magazine and Bass World Magazine. Andrea has extensive professional experience as a sound designer, audio engineer/producer, MIDI programmer, and composer for film, TV, theater, and multimedia. He is also an active presenter and lecturer for prestigious conferences such as AES and MacWorld.



Richard DeRosa is an associate professor at the University of North Texas, where he is serving as director of jazz composition/arranging studies. He is the author of Concepts for Improvisation: A Comprehensive Guide for Performing and Teaching and Acoustic and MIDI Orchestration for the Contemporary Composer. Mr. DeRosa has also served as co-arranger, orchestrator, and conductor for the critically acclaimed recording projects, Dial & Oatts: Brassworks and When Winter Comes featuring guitarist Fred Fried. In October, 2012, Mr. DeRosa was invited by the WDR Big Band (Cologne, Germany) to be a guest conductor and feature his compositions and arrangements.