E-Book, Englisch, 240 Seiten
Parry Art and Phenomenology
Erscheinungsjahr 2010
ISBN: 978-1-136-84684-7
Verlag: Taylor & Francis
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)
E-Book, Englisch, 240 Seiten
ISBN: 978-1-136-84684-7
Verlag: Taylor & Francis
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)
Philosophy of art is traditionally concerned with the definition, appreciation and value of art. Through a close examination of art from recent centuries, Art and Phenomenology is one of the first books to explore visual art as a mode of experiencing the world itself, showing how in the words of Merleau-Ponty ‘Painting does not imitate the world, but is a world of its own’.
An outstanding series of chapters by an international group of contributors examine the following questions:
- Paul Klee and the body in art
- colour and background in Merleau-Ponty’s phenomenology of art
- self-consciousness and seventeenth-century painting
- Vermeer and Heidegger
- philosophy and the painting of Rothko
- embodiment in Renaissance art
- sculpture, dance and phenomenology.
Art and Phenomenology is essential reading for anyone interested in phenomenology, aesthetics, and visual culture.
Autoren/Hrsg.
Weitere Infos & Material
Introduction Mark Wrathall and Joseph D. Parry 1. Paul Klee and the Role of the Body in Motivating Perception Mark Wrathall 2. Phenomenology and Aesthetics: or Why Art Matters Steven Crowell 3. Objectivity and Self-Disclosedness: The Phenomenological Working of Art Jeff Malpas 4. Horizon, Oscillation, Boundaries: A Philosophical Account of Mark Rothko's Art Violetta Waibel 5. Representing the Real: a Merleau-Pontean Account of Art and Experience from the Renaissance to New Media Sean Dorrance Kelly 6. The Judgment of Adam: Self-Consciousness and Normative Orientation in Lucas Cranach’s Eden Wayne Martin 7. Describing Reality or disclosing Worldhood?: Vermeer and Heidegger Béatrice Han-Pile 8. Phenomenological History, Freedom, and Botticelli’s Cestello Annunciation Joseph D. Parry 9. Showing and Seeing: Film as Phenomenology John Brough. Index