Parrott Composers' Intentions?

Lost Traditions of Musical Performance
1. Auflage 2015
ISBN: 978-1-78204-508-3
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 421 Seiten

Essays on musical performance practice by an acknowledged expert in the field.

Autoren/Hrsg.

Parrott, Andrew

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikinstrumente Instrumentenunterricht & Lernanleitungen
• Geisteswissenschaften Musikwissenschaft Musikgattungen Sinfonische Musik & Ensembles

Inhaltsverzeichnis

Composers' Intentions, Performers' Responsibilities
A Brief Anatomy of Choirs
Falsetto Beliefs: The 'countertenor' cross-examined
Falsetto and the French: 'une toute autre marche'
Transposition in Monteverdi's Vespers of 1610: An 'aberration' defended
Monteverdi's Vespers of 1610 Revisited
Monteverdi: Onwards and downwards
High Clefs and down-to-earth Transposition: A brief defence of Monteverdi
Performing Purcell
How many singers?
Vocal Ripienists and J. S. Bach's Mass in B minor
Bach's Chorus: The Leipzig line
J. S. Bach's Trauer-Music for Prince Leopold: Clarification and reconstruction
Performing Machaut's Mass on record - Review
'Grett and solompne singing': Instruments in English church music before the Civil War
Monteverdi's L'Orfeo - performance notes
Purcell's Dido & Aeneas on record - Radio Review
'Hail! bright Cecilia' (Purcell at 350) - Radio Essay