Cyborg Theatre

Corporeal/Technological Intersections in Multimedia Performance
2011. Auflage 2011
ISBN: 978-1-137-46641-9
Verlag: Palgrave MacMillan UK

Buch, Englisch, 241 Seiten, Format (B × H): 141 mm x 213 mm, Gewicht: 387 g

Reihe: Performance Interventions

This book articulates the first theoretical context for a 'cyborg theatre', metaphorically integrating on-stage bodies with the technologized, digitized, or mediatized, to re-imagine subjectivity for a post-human age. It covers a variety of examples, to propose new theoretical tools for understanding performance in our changing world.

Zielgruppe

Research

Autoren/Hrsg.

Parker-Starbuck, J.

Inhaltsverzeichnis

List of Illustrations Acknowledgements  Preface: Remembering Introduction: Why Cyborg Theatre? Backspace: Historical/Theoretical Intersections Shifting the Balance: "Abject" Bodies "Object" of Control: Framing the Fragments Entering the View: Triangulating "Subject" Bodies Conclusion: Remembering Bodies, Becoming-Cyborg Bibliography Index

Über Autor(innen)

JENNIFER PARKER-STARBUCK is a Reader in Drama, Theatre and Performance Studies at Roehampton University, London, UK. Her essays on bodies, animality, and multimedia have appeared in a variety of books and journals including: She is an Assistant Editor of and an Associate Editor of the