Buch, Englisch, 75 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 127 g
Reihe: Elements in Musical Theatre
Buch, Englisch, 75 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 127 g
Reihe: Elements in Musical Theatre
ISBN: 978-1-108-79048-2
Verlag: Cambridge University Press
In the first third of the twentieth century, South America became the most important market for many European theatrical companies. When Italy found itself in various theatrical crises, Walter Mocchi created a transoceanic theatrical empire, using his business acumen to craft viable solutions. While his efforts were most visible in the sphere of opera, he played an extremely significant role in the promotion and circulation of popular forms of musical theatre (such as operetta) and staged world premieres of works by Italian superstars in Argentina (such as Mascagni's Isabeau), thus offering an early example of what Stephen Greenblatt calls 'cultural mobility'.
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theaterleitung, Theatermanagement
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Tanz
- Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Freizeitsoziologie, Konsumsoziologie, Alltagssoziologie, Populärkultur
Weitere Infos & Material
1. Introduction; 2. Crisis in Italy, opportunity in South America: theatrical economies at the turn of the twentieth century; 3. Mocchi in South America: the Sociedad Teatral ltalo-Argentina; 4. Mocchi in Italy: the early years of the Società Teatrale Internazionale; 5. Becoming the 'Buffalo Bill of Italian impresarios': Mocchi and La Teatral; 6. Mocchi and World War I: new challenges, new cooperations; 7. New initiatives, new controversies: Mocchi in the 1920s and 1930s; 7. Epilogue.
