On the Production of Subjectivity

Five Diagrams of the Finite-Infinite Relation
2012. Auflage 2012
ISBN: 978-1-137-43028-1
Verlag: Palgrave MacMillan UK

Buch, Englisch, 300 Seiten, Format (B × H): 139 mm x 216 mm, Gewicht: 378 g

This book offers a series of critical commentaries on, and forced encounters between, different thinkers. At stake in this philosophical and psychoanalytical enquiry is the drawing of a series of diagrams of the finite/infinite relation, and the mapping out of the contours for a speculative and pragmatic production of subjectivity.

Zielgruppe

Research

Autoren/Hrsg.

O'Sullivan, S.

Fachgebiete

• Geisteswissenschaften Philosophie Geschichte der Westlichen Philosophie
• Geisteswissenschaften Philosophie Ethik, Moralphilosophie
• Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk
• Geisteswissenschaften Philosophie Sozialphilosophie, Politische Philosophie
• Geisteswissenschaften Philosophie Ästhetik

Inhaltsverzeichnis

List of Figures Acknowledgements Abbreviations Introduction: Contemporary Conditions and Diagrammatic Trajectory From Joy to the Gap: The Accessing of the Infinite by the Finite (Spinoza, Nietzsche, Bergson) The Care of the Self versus the Ethics of Desire: Two Diagrams of the Production of Subjectivity (and of the Subject's Relation to Truth) (Foucault versus Lacan) The Aesthetic Paradigm: From the Folding of the Finite-Infinite Relation to Schizoanalytic Metamodelisation (to Biopolitics) (Guattari) The Strange Temporality of the Subject: Life In-between the Infinite and the Finite (Deleuze contra Badiou) Desiring-Machines, Chaoids, Probeheads: Towards a Speculative Production of Subjectivity (Deleuze and Guattari) Conclusion: Composite Diagram and Relations of Adjacency Bibliography Index

Über Autor(innen)

Simon O'Sullivan is Reader in Art Theory and Practice at Goldsmiths College, University of London, UK. He is the author of (2005), co-editor, with Stephen Zepke, of (2008) and (2010) and co-author, with Jorella Andrews, of  (2013).