Greek Poetry in the Age of Ephemerality

Erscheinungsjahr 2024
ISBN: 978-1-009-32040-5
Verlag: Cambridge University Press

Buch, Englisch, 254 Seiten, Format (B × H): 170 mm x 244 mm, Gewicht: 413 g

This book suggests that poetry offers a way to remain in the world – not only by declarations of intent or the promotion of remembrance, but also through the durable physicality of its practice. Whether carved in stone or wood, printed onto a page, beat out by a mimetic or rhythmic body, or humming in the mind, poems are meant to engrave and adhere. Ancient Greek poetry exhibits a particularly acute awareness of change, decay, and the ephemerality inherent in mortality. Yet it couples its presentation of this awareness with an offering of meaningful embodiment in shifting forms that are aligned with, yet subtly manipulative of, mortal time. Sarah Nooter's argument ranges widely across authors and genres, from Homer and the Homeric Hymns through Sappho and Archilochus to Pindar and Aeschylus. The book will be compelling reading for all those interested in Greek literature and in poetry more broadly.

Autoren/Hrsg.

Nooter, Sarah

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Literaturgeschichte und Literaturkritik
• Geisteswissenschaften Geschichtswissenschaft Alte Geschichte & Archäologie Geschichte der klassischen Antike
• Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Lyrik und Dichter

Inhaltsverzeichnis

1. Did the heart beat? Rhythm and the body in ancient Greek poetry; 2. The substance of song: music in Homer and the Homeric Hymns; 3. The erotics of again: time and touch in Sappho; 4. Situating Simonides: stones, song, and sound; 5. Writing the future: Pindar, Aeschylus, and the tablet of the mind; 6. Recovering the bodies of Archilochus' Cologne Epode and Timotheus' Persae.

Über Autor(innen)

Nooter, Sarah
SARAH NOOTER is Professor of Classics and Theatre and Performance Studies at the University of Chicago. She is the author of When Heroes Sing: Sophocles and the Shifting Soundscape of Tragedy (Cambridge, 2012), The Mortal Voice in the Tragedies of Aeschylus (Cambridge, 2017), and co-editor, with Shane Butler, of Sound and the Ancient Senses (2018). She is Editor of the journal Classical Philology.