Listening to Early Modern Catholicism

Perspectives from Musicology
Erscheinungsjahr 2017
ISBN: 978-90-04-34922-3
Verlag: Brill

Buch, Englisch, Band 49, 332 Seiten, Format (B × H): 159 mm x 241 mm, Gewicht: 692 g

Reihe: Intersections

How did Catholicism sound in the early modern period? What kinds of sonic cultures developed within the diverse and dynamic matrix of early modern Catholicism? And what do we learn about early modern Catholicism by attending to its sonic manifestations? Editors Daniele V. Filippi and Michael Noone have brought together a variety of studies — ranging from processional culture in Bavaria to Roman confraternities, and catechetical praxis in popular missions — that share an emphasis on the many and varied modalities and meanings of sonic experience in early modern Catholic life.

Audio samples illustrating selected chapters are available at the following address: https://doi.org/10.6084/m9.figshare.5311099.

Contributors are: Egberto Bermúdez, Jane A. Bernstein, Xavier Bisaro, Andrew Cichy, Daniele V. Filippi, Alexander J. Fisher, Marco Gozzi, Robert L. Kendrick, Tess Knighton, Ignazio Macchiarella, Margaret Murata, John W. O’Malley, S.J., Noel O’Regan, Anne Piéjus, and Colleen Reardon.

Autoren/Hrsg.

Filippi, Daniele

Noone, Michael J.

Noone, Michael J

Fachgebiete

• Geisteswissenschaften Geschichtswissenschaft Geschichtswissenschaft Allgemein
• Geisteswissenschaften Musikwissenschaft Musikgattungen Geistliche Musik, Religiöse Musik
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik
• Geisteswissenschaften Christentum, Christliche Theologie Praktische Theologie Christlicher Gesang, Kirchenmusik, Gebetsbücher
• Geisteswissenschaften Religionswissenschaft Religionswissenschaft Allgemein

Inhaltsverzeichnis

Notes on the Editors
Notes on the Contributors
List of Figures and Examples
Editors’ Note

Introduction
Daniele V. Filippi and Michael Noone

Part 1: The State of Research
1 Early Modern Catholicism: The State of Research
John W. O’Malley
2 Music Among the Disciplines in Early Modern Catholicism
Robert L. Kendrick

Part 2: Perspectives
3 Liturgical Music and Liturgical Experience in Early Modern Italy
Marco Gozzi
4 Musical Dispatches from the Heavenly Jerusalem
Colleen Reardon
5 Singing the Community: Plainchant in Early Modern ‘petites écoles’
Xavier Bisaro
6 Print Culture, Music, and Early Modern Catholicism in Rome
Jane A. Bernstein
7 ‘Catechismum modulans docebat’: Teaching the Doctrine Through Singing in Early Modern Catholicism
Daniele V. Filippi
8 Artistic Revival and Conquest of the Soul in Early Modern Rome
Anne Piéjus
9 ‘Changing their tune’: Sacred Music and the Recasting of English Post-Reformation Identity at St. Alban’s College, Valladolid
Andrew Cichy
10 ‘Mit singen und klingen’: Urban Processional Culture and the Soundscapes of Post-Reformation Germany
Alexander J. Fisher
11 ‘Colpe mie venite a piangere’: The Penitential Cantata in Baroque Rome
Margaret Murata
12 Music for the Soul: Death and Piety in Sixteenth-Century Barcelona
Tess Knighton
13 ‘Per cagion della musica tutte le strade erano piene’: Roles Played by Music in Articulating the Place of Confraternities in Early Modern Roman Society
Noel O’Regan
14 Confraternity Multipart Singing: Contemporary Practice and Hypothetical Scenarios for the Early Modern Era
Ignazio Macchiarella
15 Sounds from Fortresses of Faith and Ideal Cities: Society, Politics, and Music in Missionary Activities in the Americas, 1525–1575
Egberto Bermúdez

Index Nominum

Über Autor(innen)

Daniele V. Filippi, Ph.D. (Pavia/Cremona, 2004) is a Research Fellow at the Schola Cantorum Basiliensis (Basel, Switzerland). Among his publications are Selva armonica: La musica spirituale a Roma tra Cinque e Seicento (2008) and Tomás Luis de Victoria (2008).

Michael Noone, Ph.D. (King’s College, Cambridge, 1990) is Professor and Chair of Music at Boston College. His publications include Music and Musicians in the Escorial Liturgy under the Habsburgs, 1563–1700 (1998) and Códice 25 de la catedral de Toledo (2003).