Nikolaidis The Coming

1. Auflage 2014
ISBN: 978-1-908236-51-7
Verlag: Istros Books
Format: EPUB
Kopierschutz: 0 - No protection

E-Book, Englisch, 110 Seiten

In a small town on the Adriatic coast, a local detective is content to sacrifice truth for the sake of telling his clients the stories they want to hear. The Coming reads at first like a traditional detective novel, then suddenly changes form with the advent of snow in mid-summer. When the town library burns down under mysterious circumstances, the detective's long-lost son begins to get involved in the investigations from afar. He takes the reader on excursions into history and recounts the life of Fra Dolcino, a medieval heretic who announced the return of the Messiah and Sabbatai Zevi, a Renaissance cabalist who maintained that he himself was the Messiah. Somehow the answers may lie in the missing manuscript, 'The Book of The Coming', but the unsolved mysteries of both past and present, as well as the ever encroaching environmental anomalies, seem to be leading to an apocalypse... 'The Coming is an explosive mixture on three levels: a hard-boiled investigation, the story of an impending global catastrophe, and the description of daily life in a small Balkan city. Imagine Dashiell Hammett meeting Umberto Eco, and both of them meeting Orhan Pamuk! If there is justice in the world, Nikolaidis' novel should become a bestseller bigger than the novels of James Patterson or John Grisham. And since there is no justice in the world, let us hope that a divine caprice will nonetheless make this insanely readable page-turner a mega success.'Slavoj ?i?ek Andrej Nikolaidis is a contemporary writer from one of Europe's newest and smallest states: Montenegro. He is also a polemical journalist whose writing is fundamental to the process of democratic dialogue in the region. He has written three novels and was awarded the European Prize for Literature 2011. This book is also available as a eBook. Buy it from Amazon here.

Andrej Nikolaidis is Montenegro's most controversial writer, as well as being its most awarded one. His first critically acclaimed novel Mimesis (2003) was followed by The Son (2006), The Coming (2009), Till Kingdom Come (2012) and The Hungarian Sentence (2016). An ardent supporter of Montenegrin independence, anti-war activist and promoter of human rights, Nikolaidis became known for his political views and public feuds. He writes regular columns for the daily Montenegrin newspaper Vijesti, and has written a number of articles for the Guardian UK.

Autoren/Hrsg.

Nikolaidis, Andrej

Leseproben

Chapter One

which tells of a gruesome crime, anger, snow and the corruptness of human nature

The smell of blood reached us even before we entered the house, yet there were no signs of a break-in at the front door. Clearly the murderer had rung the bell and a member of the household had opened up for him. I turned around to Yanko:

‘Perhaps it was someone they knew.’

‘Psssht!’ he hissed, probably afraid the murderer was still in the house.

I looked back. Curious neighbours were already clustering around our patrol car behind the row of cypresses which skirted the Vukotics’ property. Some kids were roaring down the road in a souped-up yellow Fiat with music blaring and almost lost control at the bend. They spotted the crowd, slowed down, and drove back.

‘Turn that off,’ someone yelled at them, ‘there’s been a murder here!’

I forced the door with my shoulder and took a step into the house, gripping my pistol as tightly as I could, with both hands. It felt cold, as if I’d just picked it up out of the snow. Yanko came in behind me and lit the way with his flashlight. We heard a movement in the dark, or at least we thought we did, but it was hard to tell. We were on edge. Terrified, to tell the truth. It was my first murder, after all. Sure, I’d seen a lot of corpses before, but I don’t think any sane person can get used to death.

When we heard the noise, or thought we did, Yanko flashed his light into the kitchen. I stepped forward, ready to shoot. Then my legs caught on something and I fell. My cheek was warm and wet. ‘Fuck this,’ I called, ‘turn on the light.’

I was lying in Senka Vukotic’s blood. I found some paper towels in the kitchen and wiped my face and hands, while Yanko photographed Senka.

‘I think I moved her,’ I told him.

There was a large wound on her head. It turned out that the murderer had dealt the first blow with an axe. Evidently that didn’t kill her outright, so he knelt down and cut her throat. We didn’t find the knife, but the axe is at the lab in Podgorica for analysis.

The trail of blood led to the internal staircase. The lab later reported that the murderer had been wearing size seven gumboots with worn-out soles. As soon as he set foot on the stairs, Pavle must have fired at him: two shots, we found the buckshot in the wall. It’s incredible that he didn’t hit him. We combed the house several times but couldn’t find any trace of the murderer’s blood. That’s what fear does to you – Pavle was firing from above, from the top of the stairs, at a distance of no more than five yards. But before he could reload the shotgun the murderer was upon him. From what we’ve been able to reconstruct, it seems the first blow struck Pavle in the right shoulder. As the murderer swung the axe again to deal the mortal blow, Pavle dashed off into the bathroom and tried to hide.

But what happened next makes us certain that the murderer knew the family and had been to the house before: instead of going after Pavle he went into the children’s room. He knew they had children – that’s the point – and he knew where to find them. He grabbed Sonja in the bed by the window. She was seven, Jesus Christ… One blow was enough for a small child like that.

Meanwhile, Pavle realised he’d left the children at the tender mercies of the murderer. He ran into their room and found the intruder on the floor – the killer had needed to set down the axe to grab Helena, who’d hidden under her bed. That was the second chance Pavle had that night. He didn’t get a third. Although he now had the axe, which put him at a clear advantage, the murderer overpowered him and cut his throat, like he did with Senka down in the hall.

Helena tried to run away but she didn’t get far. We found her body in the living room, on the couch in front of the television, which was still on. Judging by the bloodstains, the murderer sat down next to her. Our psychologists are trying to unravel what that could possibly mean. One thing’s for sure – he switched on Animal Planet.

Then he left. No one saw him, no one heard him, and he left no fingerprints or DNA. There won’t be any further investigations because, as I’m sure you know, homeless people laid waste to the house and ultimately set it on fire.

Quite a story, don’t you think? I reckon you’ve got something for your two hundred euros! Inspector Jovanovic exclaimed.

‘You can say that again!’ I said, patting him on the shoulder. I ordered a beer for him, paid, and went outside. But I didn’t get very far. Each day I went back to the pub, sat behind the same sticky bar and listened to the same story like a bloody refrain I couldn’t get out of my head.

*

I remembered all that again as I sat in a long line of cars that evening and stared at the fire-blackened ruins of the library covered with snow. It was like a white sheet spread over a dead body: although it conceals the body underneath, everyone knows there’s been a crime.

I was beginning to realise that I’d need at least an hour to get out of that traffic jam. It was cold that night, and the snow had turned to ice because there was no one to clear it off the roads. A driver had probably failed to brake on time and crashed into the car in front, and even on an evening like that they managed to get into a fight about it. The police were already on their way to restore order. I could see the blue rotating lights through the snow which was now falling ever more thickly. Luckily, I’d filled up before the Ulcinj petrol station closed and all the staff were sent home. I heard that when the petrol station ran dry, they rang the head office in Kotor to ask for another tankload. They called all morning, and finally around noon they got through to someone. The fellow told them everything was over – no one needed anything now, least of all petrol. ‘I mean, what are people going to do with it? It’s not like they can escape,’ he said, his voice thick with depression. He complained that his wife had kicked him out of the house. She’d told him to get lost – she at least wanted to die without having him around. And with nowhere else to go, he simply went back to the office. There wasn’t another living soul at the Hellenic Petroleum depot. When the workers at the petrol station finally realised that the end of the world also meant they’d lose their jobs, they divided up the money in the till. The gas cylinders they’d sold to customers in happier times were now heaved into the boots of their cars, and plastic bags full of sweets, cigarettes and bottles of whisky were crammed into the back seats. They didn’t bother to lock the door when they left. Now they’re probably guzzling down Chivas Regal and their children are gorging themselves sick on sweets to make sure nothing will be left. Like they say, it’s a shame to waste things.

The fuel gauge under the speedometer told me I had enough petrol for all I needed to do that evening. The motor rumbled reliably. I turned up the heating and put in a new CD. Odawas sang ‘Alleluia’ while several men with long black beards marched past in formation. They were rushing to the mosque because it was time for prayer. The lights on the minarets blinked like a lighthouse. But it’s too late now, I brooded, we’re still going to hit the rocks. You can crawl under the red altars, run into the minarets – slender rockets ready to take you away to a different world – but it will be as promised: tonight, no one will be able to hide.

That night warranted an update of all our dictionaries, if only there had been time, so as to add the definitive new meaning of ‘deadline’: everything anyone in the world still planned to do had to be done that night. Working under pressure? I was used to it, even though I initially imagined that being a private detective in a town as small and peaceful as Ulcinj would be safe and easy. Cheated husbands, suspicious wives – who could need my services apart from unhappy people in unhappy marriages? That’s what I thought, at least.

*

When I first rented an office in the centre of town I furnished it minimally but tastefully, by anyone’s standards. Posters of classic old movies went up on the walls: The Maltese Falcon with Humphrey Bogart, Chinatown with Jack Nicholson…The posters were to discreetly prompt clients to compare me with the best. A little pretentious, I admit, but it proved effective. A massive oaken desk dominated the room. Period furniture was installed to give clients the impression they were engaging a company with traditional standards – and people still believe in tradition, although tradition always betrays them if they don’t betray it first. The desk sported a black Mercedes typewriter: a real antique and pure extravagance. I wanted everyone who came in to know that we didn’t allow any newfangled gadgets like computers in the firm. I wanted clients to know that our methods were time-tested. A detective needs to seem timeless. I wanted people to think: wow, this is a hard-boiled, old-school detective who can be a real tough guy where necessary; a Sam Spade type of character who’s seen a lot and knows the mean streets but isn’t afraid to jump back into the thick of things if circumstances require.

As soon as I opened my agency, though, it seems all of Ulcinj decided to start killing, robbing, abducting and raping. And there was plenty of adultery too: it must be close to a dozen marriages I’ve torn apart. I’ll always remember those jobs most...