Media and Nostalgia

Yearning for the Past, Present and Future
1. Auflage 2014
ISBN: 978-1-349-47750-0
Verlag: Palgrave Macmillan UK

Buch, Englisch, 241 Seiten, Format (B × H): 140 mm x 216 mm, Gewicht: 3261 g

Reihe: Palgrave Macmillan Memory Studies

Media and Nostalgia is an interdisciplinary and international exploration of media and their relation to nostalgia. Each chapter demonstrates how nostalgia has always been a media-related matter, studying also the recent nostalgia boom by analysing, among others, digital photography, television series and home videos.

Zielgruppe

Research

Autoren/Hrsg.

Niemeyer, K.

Fachgebiete

• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
• Geisteswissenschaften Geschichtswissenschaft Geschichtswissenschaft Allgemein Historiographie
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Mentalitäts- und Sozialgeschichte
• Sozialwissenschaften Soziologie | Soziale Arbeit Soziologie Allgemein
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgattungen, Filmgenre

Inhaltsverzeichnis

Contents List of Figures Acknowledgements Notes on Contributors Introduction: Media and Nostalgia; Katharina Niemeyer PART I: ANALOGUE NOSTALGIAS 1. Analogue Nostalgia and the Aesthetics of Digital Remediation; Dominik Schrey 2. Homesick for Aged Home Movies: Why Do We Shoot Contemporary Family in an Old-Fashioned Way?; Giuseppina Sapio 3. The Instant Past: Nostalgia and Digital Retro Photography; Gil Bartholeyns 4. Retromania: Crisis of Progressive Ideal and Spectrality in Pop Music; Maël Guesdon and Philippe Le Guern PART II: EXPLOITED NOSTALGIAS 5. Retrotyping and the Marketing of Nostalgia; Michael Pickering and Emily Keightley 6. Anti-Nostalgia in Citroën's Advertising Campaign; Emmanuelle Fantin 7. Networks as Media for Nostalgia in an Organisational Context; Thibaut Bardon, Emmanuel Josserand and Florence Villesèche 8. Media and the Closure of the Memory Boom; Andrew Hoskins PART III: SCREENED NOSTALGIAS 9. Nostalgia is not What it Used to be: Serial Nostalgia and Nostalgic Television Series; Katharina Niemeyer and Daniela Wentz 10. AMC's Mad Men and the Politics of Nostalgia; David P. Pierson 11. The Television Channel ARTE as a Time Machine and Matrix for European Identity; Aline Hartemann 12. Nostalgia, Tinted Memories and Cinematic Historiography: On Otto Preminger's Bonjour Tristesse (1958); Ute Holl PART IV: CREATIVE NOSTALGIAS 13. Creative Nostalgia for an Imagined Better Future: Il treno del Sud by the Migrant Filmmaker Alvaro Bizzarri; Morena La Barba 14. Nostalgia and Postcolonial Utopia in Senghor's Négritude; Nadia Yala Kisukidi 15. Impossible Nostalgia; Itzhak Goldberg 16. Journeys through the Past: Contempt, Nostalgia and Enigma; John Potts Poetic Transfer of a (Serious) Situation; Marine Baudrillard Index

Über Autor(innen)

Morena La Barba, University of Geneva, Switzerland Thibaut Bardon, Audencia Nantes School of Management, France Gil Bartholeyns, University Lille III, France Emmanuelle Fantin, CELSA, Paris IV Sorbonne, France Philippe Le Guern, University of Nantes, France Maël Guesdon, Ecole des Hautes Etudes en Sciences Sociales, France Itzhak Goldberg, University of Saint-Etienne, France Aline Hartemann, Ecole des Hautes Etudes en Sciences Sociales, France Ute Holl, University of Basel, Switzerland Andrew Hoskins, University of Glasgow, UK Emmanuel Josserand, University of Geneva, Switzerland Yala Kisukidi, University of Geneva, Switzerland Emily Keightley, Loughborough University, UK Katharina Niemeyer, French Press Institute/CARISM, Pantheon-Assas University, Paris 2, France Michael Pickering, Loughborough University, UK John Potts, Macquarie University, Sydney David P. Pierson, University of Southern Maine, USA Giuseppina Sapio, University of Paris III (Sorbonne Nouvelle), France Dominik Schrey, Karlsruhe Institute of Technology (KIT), Germany Florence Villesèche, University of Geneva, Switzerland Daniela Wentz, Bauhaus-University Weimar, Germany