Nicholson The Censorship of British Drama 1900-1968 Volume 3

The Fifties
Erscheinungsjahr 2015
ISBN: 978-0-85989-905-5
Verlag: University of Exeter Press
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 282 Seiten

Reihe: Exeter Performance Studies

This is the third volume in a new paperback edition of Steve Nicholson’s comprehensive four-volume analysis of British theatre censorship from 1900-1968, based on previously undocumented material in the Lord Chamberlain's Correspondence Archives in the British Library and the Royal Archives at Windsor. Focusing on plays we know, plays we have forgotten, and plays which were silenced for ever, Censorship of British Drama demonstrates the extent to which censorship shaped the theatre voices of this decade. The book charts the early struggles with Royal Court writers such as John Osborne and with Joan Littlewood and Theatre Workshop; the stand-offs with Samuel Beckett and with leading American dramatists; the Lord Chamberlain’s determination to keep homosexuality off the stage, which turned him into a laughing stock when he was unable to prevent a private theatre club in London's West End from staging a series of American plays he had banned, including Arthur Miller's A View from the Bridge and Tennessee Williams's Cat on a Hot Tin Roof; and the Lord Chamberlain’s attempts to persuade the government to give him new powers and to rewrite the law.


This new edition includes a contextualising timeline for those readers who are unfamiliar with the period, and a new preface.


DOI: https://doi.org/10.47788/SEEA6021

Autoren/Hrsg.

Nicholson, Steve

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Literaturgeschichte und Literaturkritik
• Geisteswissenschaften Literaturwissenschaft Englische Literatur
• Sozialwissenschaften Soziologie | Soziale Arbeit Soziale Gruppen/Soziale Themen Ethische Themen & Debatten: Zensur
• Geisteswissenschaften Literaturwissenschaft Literarische Stoffe, Motive und Themen

Inhaltsverzeichnis

Acknowledgements

Introduction: 'That Happy State'

1. Censorship in a Golden Age

2. 'Packed with Nancies': Homosexuality and the Stage (I)

3. Breaking the Rules, Breaking the Lord Chamberlain: Unlicensed Plays in the West End

4. Speaking the Unspoken: Homosexuality and the Stage (II)

5. Not Always on Top: The Lord Chamberlain's Office and the New Wave

6. Dirty Business: Sex, Religion and International Politics

7. The Tearing Down of Everything: Class, Politics and Aunt Edna

Afterword

Biographies of the principal people working for the Lord Chamberlain's Office

Notes

Select Bibliography

Index

Über Autor(innen)

Nicholson, Steve
Steve Nicholson is Emeritus Professor at the University of Sheffield. He is a series editor for Exeter Performance Studies and the author of British Theatre and the Red Peril: The Portrayal of Communism, 1917-1945, also published by UEP.

Steve Nicholson is Emeritus Professor of 20th-Century and Contemporary Theatre, and Director of Drama, in the School of English at the University of Sheffield. He is a series editor for Exeter Performance Studies and the author of British Theatre and the Red Peril: The Portrayal of Communism, 1917-1945, also published by UEP.