Transmodern Literatures in the 21st Century

Of(f) Limits
1. Auflage 2025
ISBN: 978-1-041-06789-4
Verlag: Taylor & Francis Ltd

Buch, Englisch, 296 Seiten, Format (B × H): 152 mm x 229 mm

Reihe: Routledge Studies in Contemporary Literature

Transmodern Literatures in the 21st Century: Of(f) Limits offers an in-depth look into how transmodern literatures in English of the last two decades have been dealing with the phenomenon of the limit. The fifteen chapters that make up the volume examine how geographical, racial, ethnical, sociocultural, generical, ontological, epistemological and other limits are articulated, transgressed and reconfigured in recent narratives by authors writing in a wide variety of transmodern trends such as Afro- and Africanfuturism, Young Adult feminist science fiction, food fiction, air travel fiction, the networked novel and future narratives amongst others. They thereby expose and challenge hierarchised binary dichotomies as Euro- and Anthropocentric exclusionary discursive constructs that have kept non-hegemonic voices off limits. To counter the detrimental effects of the neoliberal grand narrative of globalisation, the chapters as well as the narratives of the limit they analyse emphasise an urgent need for inclusiveness, relationality and communality.

Zielgruppe

Postgraduate

Autoren/Hrsg.

Neumann, Claus-Peter

Royo-Grasa, Pilar

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Literarische Gattungen
• Geisteswissenschaften Literaturwissenschaft Literarische Strömungen & Epochen

Inhaltsverzeichnis

List of Contributors

Introduction: Transmodern Literatures Of(f) the Limits

Pilar Royo-Grasa and Claus-Peter Neumann

PART I

Geographical, Racial and Ethnic Limits

1. Mohsin Hamid’s Exit West as a Transmodern Narrative of(f) the Limit

Angelo Monaco

2. Otherwise Vancouver in Black Speculative Fiction: from a Dialectic of Conquest to Transmodern Coalitions of Solidarity

Fernando Pérez-García

3. (Writing about) Writing about Limits: Aleksandar Hemon’s The Lazarus Project

Chinmaya Lal Thakur

PART II

Limits of the Human

4. ‘There Never Was a Wilder Story Imagined’: Posthumanist Conceit and Transmodernity in Jeanette Winterson’s Frankissstein: A Love Story

Vanja Polic

5. Posthuman identities and the Transmodern Paradigm Through Fairy Tales: Marissa Meyer’s “The Little Android”

Sidia Fiorato

6. Special Relativity, Real-Time Communications and Vulnerability in Outer Space and Lauren James’s The Loneliest Girl in the Universe

Jessica Aliaga-Lavrijsen

7. Nnedi Okorafor’s Remote Control (2021) and Its Africanfuturist Transmodern Agenda: Harnessing the Past to Understand the Present and Improve the Future

Dolores Herrero

8. Speaking of Fracture: Intercultural Dialogue and the Transmodern Perception of Time and Experience in N.K. Jemisin’s The Broken Earth Trilogy

Adriana Lobato

PART III:

Relationality and Community

9. Jon McGregor’s Transmodern Ethics of Re-enchantment in If Nobody Speaks of Remarkable Things

Susana Onega

10. Spatialising the Transmodern in Jim Crace’s The Melody

Petr Chalupský

11. Intimations of a Life Well Lived: Beyond Food as Metaphor in Inga Simpson’s Mr Wigg

Bárbara Arizti

12. Fragility and (Dis-)Connection in David Szalay’s Turbulence

María Jesús Martínez

13. Dissolving Limits in Tom McCarthy’s Satin Island

Justine Gonneaud EPILOGUE

The Ultimate Limit—NOW: Future Narratives and the Present Moment as Conversion Point of Potentiality into Actuality

Christoph Bode

Index

Über Autor(innen)

Claus-Peter Neumann is an Associate Professor at the Department of English and German Studies of the University of Zaragoza, where he teaches US Literature as well as English Drama and Theatre. His research covers a wide variety of topics, including English and American literature, Second Language Acquisition, English for Specific Purposes, discourse analysis and the Spanish “novela negra”. Within the field of literature, he has mainly focused on the examination of gender relations and desire, the representation of war and its aftermath as well as the questioning of borders and the concomitant deconstruction of self vs. Other in recent US theatre. He has published on Tennessee Williams, William Faulkner, Ernest Hemingway, Vladimir Nabokov, Jerzy Kosinski, and Tony Kushner, amongst others, in international journals such as Arbeiten aus Anglistik und Amerikanistik, Revista de Estudios Norteamericanos and The Journal of American Drama and Theatre.

Pilar Royo-Grasa is an Associate Professor at the Department of English and German Studies of the University of Zaragoza, where she teaches English Literature and Language. She was also a Visiting Scholar at the Universities of New South Wales (Australia), Northampton (U.K.), Regensburg (Germany) and Masaryk (Czech Republic). Between October 2015 and January 2018, she served as Secretary of the European Association for Studies of Australia (EASA). In 2025, she was awarded a scholarship to attend the University of Auckland as a Visiting Fellow, where she researched on human mobility induced by climate change in literary works by South Pacific authors. Her main research interests are contemporary Australian fiction, postcolonial literature, trauma studies, human rights and migration narratives. She is the author of the monograph Trauma, Australia and Gail Jones’s Fiction (1996-2007) (Peter Lang 2022), and published articles in international journals such as Journal of Postcolonial Writing, The European Legacy, Humanities, Journal of the Association for the Study of Australian Literature, Journal of the European Association for the Studies of Australia, and Commonwealth Essays and Studies.