Cylinder - Kinematics of the Nineteenth Century

1. Auflage 2012
ISBN: 978-0-520-27077-0
Verlag: University of California Press

Buch, Englisch, Band 9, 256 Seiten, Trade Paperback, Format (B × H): 160 mm x 224 mm, Gewicht: 350 g

Reihe: FlashPoints

The Cylinder investigates the surprising proliferation of cylindrical objects in the nineteenth century, such as steam engines, phonographs, panoramas, rotary printing presses, silos, safety locks, and many more. Examining this phenomenon through the lens of kinematics, the science of forcing motion, Helmut Müller-Sievers provides a new view of the history of mechanics and of the culture of the industrial revolution, including its literature, that focuses on the metaphysics and aesthetics of motion. Müller-Sievers explores how nineteenth-century prose falls in with the specific rhythm of cylindrical machinery, re-imagines the curvature of cylindrical spaces, and conjoins narrative progress and reflection in a single stylistic motion. Illuminating the intersection of engineering, culture, and literature, he argues for a concept of culture that includes an epoch’s relation to the motion of its machines.

Autoren/Hrsg.

Muller-Sievers, Helmut

Müller-Sievers, Helmut

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Literarische Stoffe, Motive und Themen
• Technische Wissenschaften Technik Allgemein Technikgeschichte

Inhaltsverzeichnis

Acknowledgments

Part I: The Prehistory and Metaphysics of the Cylinder

1. Introduction

2. The Rise of Kinematics

3. The Valuation of Motions

Part II: Cylinders of the Nineteenth Century

4. The Cylinder as Motor

5. The Cylinder as Tool

6. Kinematics of Narration I: Dickens and the Motion of Serialization

7. The Cylinder as Enclosure

8. Kinematics of Narration II: Balzac and the Cylindrical Shape of the Plot

9. Gears and Screws

10. Kinematics of Narration III: Henry James and the Turn of the Screw

Epilogue

Notes
Works Cited

Index

Über Autor(innen)

Helmut Müller-Sievers is Director of the Center for Humanities and the Arts and Eaton Professor of Humanities and Arts at the University of Colorado at Boulder. His previous books include Self-Generation: Biology, Philosophy, and Literature around 1800.