Buch, Englisch, Band 55, 328 Seiten, Format (B × H): 155 mm x 239 mm, Gewicht: 612 g
Reihe: Postmodern Studies
Buch, Englisch, Band 55, 328 Seiten, Format (B × H): 155 mm x 239 mm, Gewicht: 612 g
Reihe: Postmodern Studies
ISBN: 978-90-04-32434-3
Verlag: de Gruyter Brill
The Baroque is back in contemporary culture. The ten essays authored by international scholars, and three interventions by artists, examine the return of the baroque as Neo-Baroque through interdisciplinary perspectives. Understanding the Neo-Baroque as transcultural (between different cultures) and transhistorical (between historical moments) the contributors to this volume offer diverse perspectives that suggest the slipperiness of the Neo-Baroque may best be served by the term ‘Neo-Baroques’. Case studies analysed reflect this plurality and include: the productions of Belgian theatre company Abattoir Fermé; Claire Denis’ French New Extremist film Trouble Every Day; the novel Lujuria tropical by exiled El Salvadorian Quijada Urias; the science fiction blockbuster spectacles The Matrix and eXistenZ; and the spectacular grandeur of early Hollywood movie palaces and the contemporary Las Vegas Strip.
Contributors: Jens Baumgarten, Marjan Colletti, Bolívar Echeverría, Rita Eder, Hugh Hazelton, Monika Kaup, Peter Krieger, Patrick Mahon, Walter Moser, Angela Ndalianis, Richard Reddaway, Karel Vanhaesebrouck, Saige Walton.
Fachgebiete
Weitere Infos & Material
Book Introduction—Walter Moser
Part One: Neo-Baroques
Part One Introduction—Walter Moser
1. Meditations on the Baroque—Bolívar Echeverría
2. Reconsidering Metatheatricality: Towards a Baroque Understanding of Postdramatic Theatre—Karel Vanhaesebrouck
3. Fabricating Film: The Neo-Baroque Folds of Claire Denis—Saige Walton
4. Baroque Affinities: Wölfflin, Visconti, the Baroque and the Films of Glauber Rocha—Rita Eder
5. Artist’s Essay: The Neo-Baroque and Complexity—Richard Reddaway
Part Two: Religion
Part Two Introduction—Angela Ndalianis
6. Afro-Caribbean Belief Systems and the Neo-Baroque Novel: The Duel of Faiths in Alejo Carpentier’s El reino de este mundo and Ludic Voodoo in Alfonso Quijada Urías’s Lujuria tropical —Hugh Hazelton
7. Temporal and Local Transfers: The Neo-Baroque Between Politics, Religion and Entertainment —Jens Baumgarten
8. The Religious Shines Through: Religious Remnants and Resurgences in 90s Cinema —Walter Moser
9. Artist’s Essay: Towers, Shipwrecks, and Neo-Baroque Allegories—Patrick Mahon
Part Three: Cities
Part Three Introduction—Peter Krieger
10. Symbolic Dimensions and Cultural Functions of the Neo-Baroque Balustrade in Contemporary Mexico City: An Alternative Learning from Las Vegas—Peter Krieger
11. Mexico City’s Dissonant Modernity and the Marketplace Baroque: Salvador Novo’s Nueva grandeza mexicana and Bernardo de Balbuena’s La grandeza mexicana—Monika Kaup
12. Baroque Theatricality and Scripted Spaces: From Movie Palace to Las Vegas Casinos—Angela Ndalianis
13. Artist’s Essay: Post-Digital Neo-Baroque: Reinterpreting Baroque Reality in Contemporary Architectural Design—Marjan Colletti
AUTHOR BIOGRAPHIES




