Music and Revolution - Cultural Change in Socialist Cuba

1. Auflage 2006
ISBN: 978-0-520-24711-6
Verlag: University of California Press

Buch, Englisch, Band 9, 367 Seiten, Trade Paperback, Format (B × H): 151 mm x 228 mm, Gewicht: 592 g

Reihe: Music of the African Diaspora

Music and Revolution provides a dynamic introduction to the most prominent artists and musical styles that have emerged in Cuba since 1959 and to the policies that have shaped artistic life. Robin D. Moore gives readers a chronological overview of the first decades after the Cuban Revolution, documenting the many ways performance has changed and emphasizing the close links between political and cultural activity. Offering a wealth of fascinating details about music and the milieu that engendered it, the author traces the development of dance styles, nueva trova, folkloric drumming, religious traditions, and other forms. He describes how the fall of the Soviet Union has affected Cuba in material, ideological, and musical terms and considers the effect of tense international relations on culture. Most importantly, Music and Revolution chronicles how the arts have become a point of negotiation between individuals, with their unique backgrounds and interests, and official organizations. It uses music to explore how Cubans have responded to the priorities of the revolution and have created spaces for their individual concerns.

Copub: Center for Black Music Research

Autoren/Hrsg.

Moore, Robin D.

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Geschichte der Musik
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musikveranstaltungen und -organisationen, Aufführungspraxis

Inhaltsverzeichnis

List of Illustrations
Preface

Introduction: Music and the Arts in Socialist Cuba

1. Revelry and Revolution: The Paradox of the 1950s
2. Music and Social Change in the first years
3. Artistic Institutions, Initiatives, and Policies
4. Dance Music and the Politics of Fun
5. Transformations in Nueva Trova
6. Afro-Cuban Folklore in a Raceless Society
7. Ay, Dios Ampárame: Sacred Music and Revolution
8. Music and Ideological Crisis

Conclusion: Musical Politics into the New Millennium

Appendix:Publications on Music from Revolutionary Cuba
Notes
Glossary
Works Cited
Index

Über Autor(innen)

Robin D. Moore is Associate Professor of Music History at the University of Texas, Austin, and the author of Nationalizing Blackness: Afrocubanismo and Artistic Revolution in Havana, 1920-1940 (1997).