E-Book, Englisch, 279 Seiten, eBook
Remaking the Classics in the Twilight of Cinema
E-Book, Englisch, 279 Seiten, eBook
Reihe: Palgrave Studies in Adaptation and Visual Culture
ISBN: 978-3-030-62934-2
Verlag: Springer International Publishing
Format: PDF
Kopierschutz: 1 - PDF Watermark
City Lights
(1931),
Citizen Kane
(1941),
Rome Open City
(1945),
All About Eve
(1950), and
Vertigo
(1958) in order to probe our psychological, philosophical, and historical situations in a postmodern
société du spectacle.
In broadly diverse ways, each of these directors complicates received notions of the past and its representation, while probing the transformative media evolution and dislocation of the present, in film art and in society.
Zielgruppe
Research
Autoren/Hrsg.
Weitere Infos & Material
Introduction.- Part 1: Rainer Werner Fassbinder and Douglas Sirk.- Chapter 1: The Recreation of All that Heaven Allows as Angst Essen Seele Auf (Fear Eats the Soul, 1974).- Part 2: Derivations and Procedural Challenges.- Chapter 2. The Palimpsestuous Ghost of Rome Open City (1945) in The Lives of Others (2006).- Chapter 3. Clouds of Sils Maria and All about Eve: Adapting a Classic Paradigm.- Chapter 4. Leos Carax: Les Amants du Pont-Neuf and City Lights.- Part 3: Nostalgic Adventures and Aesthetic Complications.- Chapter 5. Chantal Akerman in the Labyrinth of Desire: La Captive, Marcel Proust, and Vertigo.- Chapter 6. The Coen Brothers’ Retrospective Foreboding.- Chapter 7. Baz Luhrmann’s Outsized Ambition: The Great Gatsby and Citizen Kane.- Chapter 8. Conclusion.