Buch, Englisch, 288 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 453 g
Great Britain and Beyond
Buch, Englisch, 288 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 453 g
Reihe: Routledge Studies in Nineteenth Century Literature
ISBN: 978-1-032-99738-4
Verlag: Taylor & Francis Ltd
Women Staging and Restaging the Nineteenth Century is the first book to explore overlooked histories of women who filled the theatrical stages of the nineteenth century, dialoguing with contemporary adaptations, reworkings and retellings of these histories in Great Britain and beyond. Female managers, playwrights and performers emerge from the archives to forge geographical and temporal ‘intertheatricalities’ with contemporary productions by women who revisit and re-stage the period and with neo-Victorian fiction written by women and inspired by Victorian stage practices and spectacle. Chapters navigate from Great Britain to Australia, from Japan to the United States, to offer a glimpse of the indisputable influence of women in the theatrical scene of the period. The women that populate this book—Joanna Baillie, Florence Wilson, Ritsuko Mori, Madame Vestris, Minnie Maddern Fiske, Lolita Chakrabarti, Kip Williams, and others—reveal essential histories of nineteenth-century spectacle that hold significant implications for the roles of gender and chronology in theatre and English studies. This book is for postgraduates, researchers and academics engaged primarily with English Studies, Drama, Theatre and Performance Studies and Women Studies.
Zielgruppe
Academic and Postgraduate
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Literaturwissenschaft Literarische Strömungen & Epochen
- Sozialwissenschaften Soziologie | Soziale Arbeit Soziale Gruppen/Soziale Themen Gender Studies, Geschlechtersoziologie
- Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Dramen und Dramatiker
- Geisteswissenschaften Literaturwissenschaft Literarische Stoffe, Motive und Themen
Weitere Infos & Material
Introduction: The Emptied Spaces
Laura Monrós-Gaspar & Victoria Puchal Terol
PART I.
From the nineteenth into the twentieth century
- Staging the Invisible: Reclaiming the Silenced Woman in Joanna Baillie’s The Bride
Miriam Borham-Puyal
- Mrs. T. P. Cooke: A (Forgotten) Lady of Great Accomplishments
Victoria Puchal Terol
- Staging a Victorian Marriage: Ellen Terry’s Lady Macbeth
Sarah McCarroll
- Performing Management Through Her Pen: Minnie Madden Fiske as Producer and Activist
Amanda Nelson
- Beyond Postcolonial Theatre Historiography: British Theatrical Migration and the Eyes of the Japanese Actress
Ayumi Fujioka
- Emily Caroline Massingberd: Women’s Theatrical Networks at the Pioneer Club omen’s Clubs and Drama: Emily Massingberd at the Pioneer Club
Laura Monrós-Gaspar
PART II.
From the twentieth into the twenty-first century
- Women and the Nineteenth Century at the National Theatre of London (1963-2018)
Sarai Ramos Cedrés
- Re-membering the Nineteenth-century English Stage in Lolita Chakrabarti’s Red Velvet (2012): A Neo-Victorian Reading
Ana Fernández-Caparrós
- Nineteenth-Century Caring in Contemporary Biodrama: Acts of Care in The Ballad of Maria Marten and Marys Seacole
Beth Palmer
- Bruising Encounters: Neo-Victorian Group Narratives by Women Playwrights
Benjamin Poore
- Two Pictures of Dorian Gray
Victoria Duckett
- Staging Networked Perspectives and Structures of Care in Barbara Ewing’s The Mesmerist
Rosario Arias-Doblas
- Powerful Women and Assembled Bodily Strength in Neo-Victorian Novels of Spectacle
Lin Pettersson
- Reframing Lizzie: The Many Afterlives of Elizabeth Siddal in Neo-Victorian Culture
Cristina Santaemilia