Moll Counterpoint and Compositional Process in the Time of Dufay

Perspectives from German Musicology
Erscheinungsjahr 2014
ISBN: 978-1-135-61733-2
Verlag: CRC Press
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 430 Seiten

Reihe: Criticism and Analysis of Early Music

First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

Autoren/Hrsg.

Moll, Kevin N.

Inhaltsverzeichnis

"Toward a Comprehensive View of Compositional Priorities in the Music of Dufay and His Contemporaries," Kevin N. Moll * "Dufay-Creator of Fauxbourdon," from Acta Musicologica, Heinrich Besseler * "Toward a History of the Genesis of Fauxbourdon," from Acta Musicologica, Rudolf von Ficker * Tonal Harmony and Full Sonority: A Reply to Rudolf von Ficker," from Acta Musicologica, Heinrich Besseler * Harmony in the Cantus-Firmus Compositions of the Fifteenth Century," from Archiv fÿr Musikwissenschaft, Bernhard Meier * The 'Tonal Discant' and 'Free Discant' Techniques of Composition in the Fifteenth Century," from Archiv fÿr Musikwissenschaft, Ernst Apfel * The Cantus-Firmus Question in the Fourteenth and Early Fifteenth Centuries," from Archiv fÿr Musikwissenschaft, Gÿnther Schmidt * The Origin of True Four-Voice Counterpoint in England," from Archiv fÿr Musikwissenschaft, Ernst Apfel"Four-Voice Counterpoint in the Fourteenth and Fifteenth Centuries," from Archiv fÿr Musikwissenschaft, Ernst Apfel * The Harmonic Structure of Late Medieval Music as a Foundation of Major-Minor Tonality," from Die Musikforschung, Ernst Apfel * Late Medieval Harmonic Structure and Major-Minor Tonality," from Die Musikforschung, Ernst Apfel * Tonality and Harmony in the French Chanson between Machaut and Dufay," from Archiv fÿr Musikwissenschaft, Wolfgang Marggraf * The Effect of Medieval English Polyphony upon the Development of Continental and Cantus-Firmus Techniques and Tonal Structure," from Archiv fÿr Musikwissenschaft, Ernest H. Sanders Index. Appendix. Bibliography