Molesworth A Christmas Posy

1. Auflage 2015
ISBN: 978-3-8496-4719-3
Verlag: Jazzybee Verlag
Format: EPUB
Kopierschutz: 0 - No protection

E-Book, Englisch, 150 Seiten

The familiar appearance of Mrs. Molesworth's gift of delight awakens grateful anticipations which are rarely, if ever, disappointed. The literary work in A Christmas Posy is intrinsically characteristic, and the same must be acknowledged with respect to Mr. Crane's illustrations. Still the stories, a group of six, are variable in conception. Thus their young readers will be pleased to read them, though the modern parental tendency leans towards a quicker brightness than appeals in the opening story.

Autoren/Hrsg.

Molesworth, Mary Louisa

Leseproben

"Thank you so much for telling me about it. I am pleased, for it is just what I wanted to hear of."

"And I am so glad for Herr Wildermann's sake. It rarely happens in this world that one hears of a want and a supply at the same time;" and the speaker, laughing as she said the last words, shook hands once again with her hostess and left her.

Lady Iltyd went to the window,—a low one, leading on to the garden, and looked out. Then she opened it and called out clearly, though not very loudly—

"Basil, Basi—i—il, are you there, my boy?"

"Yes, mother; I'm coming." And from among the bushes, at a very short distance, there emerged a rather comical little figure. A boy of eight or nine, with a bright rosy face and short dark hair. Over his sailor suit he had a brown holland blouse, which once, doubtless, had been clean, but was certainly so no longer. It stuck out rather bunchily behind, owing to the large collar and handkerchief worn beneath, and as the child was of a sturdy make to begin with, and was extra flushed with his exertions, it was no wonder that his mother stopped in what she was going to say to laugh heartily at her little boy.

"You look like a gnome, Basil," she said. "What have you been doing to make yourself so hot and dirty?"

"Transplanting, mother. It's nearly done. I've taken a lot of the little wood plants that I have in my garden and put them down here among the big shrubs, where it's cool and damp. It was too dry and sunny for them in my garden, Andrew says. They're used to the nice, shady, damp sort of places in the wood, you see, mother."

"But it isn't the time for transplanting, Basil. It is too late."

"It won't matter, Andrew says, mother. I've put them in such a beautiful wet corner. But I'm awfully hot, and I'm rather dirty."

"Rather," said his mother. "And, Basil, your lessons for to-morrow? It's four o'clock, and you know what your father said about having them done before you come down to dessert."

Basil shook himself impatiently.

"Oh bother!" he said; "whenever I'm a little happy somebody begins about something horrid. I've such a lot of lessons to-day. And it's a half-holiday. I think it is the greatest shame to call it a half-holiday, and then give more lessons to do than any other day."

At the bottom of her heart Lady Iltyd was a little of Basil's opinion; but she felt it would do no good, and might do a great deal of harm to say so. Basil went as a day-scholar to a very good private school at Tarnworth, the little country town two miles off. He rode there on his pony in the morning, and rode home again at four o'clock. He liked his schoolfellows, and did not dislike his teachers, but he could not bear lessons! There was this much excuse for him, that he was not a clever boy in the sense of learning quickly. On the contrary, he learned slowly, and had to read a thing over several times before he understood it. Sometimes he would do so patiently enough; but sometimes—and these "times," I fear, came more frequently than the good ones—he was so impatient, so easily discouraged, that it was not a pleasant task to superintend his lessons' learning. Yet he was not without a queer kind of perseverance of his own—he could not bear to go to bed leaving any of his lessons unfinished, and he would go on working at them with a sort of dull, hopeless resolution that was rather piteous, till one reflected that, after all, he might just as well look cheerful about it. But to look cheerful in the face of difficulties was not Basil's "way." With the first difficulty vanished all his brightness and good temper, and all he could do was to work on like a poor little over-driven slave, with no pleasure or satisfaction in his task. And many an evening bedtime was long past before his lessons were ready, for though Basil well knew how long he took to learn them, and how the later he put them off the harder they grew, there was no getting him to set to work at once on coming home. He would make one excuse after another—"it was not worth while beginning till after tea," or his little sister Blanche had begged him to play with her just for five minutes, and they "hadn't noticed how late it was," or—or—it would be impossible to tell all the reasons why Basil never could manage to begin his lessons so as to get them done at a reasonable hour. So that at last his father had made the rule of which his mother reminded him—that he was not to come down to dessert unless his lessons were done.

Now, not coming down to dessert meant more to Basil than it sounds, and nothing was a greater punishment to him. It was not that he was too fond of nice things, for he was not at all a greedy boy, though he liked an orange, or a juicy pear, or a macaroon biscuit as much as anybody, and he liked, too, to be neatly dressed, and sit beside his father in the pretty dining-room, by the nicely arranged table with the flowers and the fruit and the sparkling wine and shining glass. For though Basil was not in some ways a clever child, he had great taste for pretty and beautiful things. But it was none of the things I have mentioned that made him so very fond of "coming down to dessert." It was another thing. It was his mother's playing on the piano.

Every evening when Lady Iltyd left the dining-room, followed by Basil and Blanche, she used to go straight to the grand piano which stood in one corner of the library, where they generally sat, and there she would play to the children for a quarter of an hour or so, just whatever they asked for. She needed no "music paper," as Blanche called it; the music seemed to come out of her fingers of itself. And this was Basil's happiest moment of the day. Blanche liked it too, but not as much as Basil. She would sometimes get tired of sitting still, and begin to fidget about, so that now and then her mother would tell her to run off to bed without waiting for nurse to come for her. But not so Basil. There he would sit,—or lie perhaps, generally on the white fluffy rug before the fire,—with the soft dim light stealing in through the coloured glass of the high windows, or in winter evenings with no light but that of the fire fitfully dancing on the rows and rows and rows of books that lined the walls from floor to ceiling, only varied here and there by the portrait of some powdered-haired great-grandfather or grandmother smiling, or sometimes, perhaps, frowning down on their funny little descendant in his sailor-suit, with his short-cropped, dark head. A quaint little figure against the gleaming white fur, dreaming—what?—he could not have told you, for he had not much cleverness in telling what he thought. But his music-dreams were very charming nevertheless, and in after life, whenever anything beautiful or exquisite came in his way, Basil's thoughts always flew back to the old library and his mother's playing.

For long he had imagined that nothing of music kind could be more delightful. But a short time before this little story begins a new knowledge had come to him. At a concert at Tarnworth—for once or twice a year there were good concerts at the little town—he had heard a celebrated violinist play, and it seemed to Basil as if a new world had opened to him.

"Mother," he said, when the concert was over, looking up at his mother with red cheeks and sparkling eyes, "it's better than the piano—that little fiddle, I mean. It's like—like——"

"Like what, my boy?"

"I can't say it," said Basil, "but it's like as if the music didn't belong to here at all. Like as if it came out of the air someway, without notes or anything. I think if I was an awfully clever man I could say things out of a fiddle, far better than write them in books."

His mother smiled at him.

"But you mustn't call it a fiddle, Basil. A violin is the right name."

"Violin," repeated Basil thoughtfully. And a few minutes later, when they were in the carriage on their way home, "Mother," he said, "do you think I might learn to play the violin?"

"I should like it very much," said his mother. "But I fear there is no teacher at Tarnworth. I will inquire, however. Only, Basil, there is one thing. The violin is difficult, and you don't like difficulties."

Basil opened his eyes.

"Difficult," he said, and as he spoke he put up his left arm as he had seen the violinist do, sawing the air backwards and forwards with an imaginary bow in his right—"difficult! I can't fancy it would be difficult. But any way, I'd awfully like to learn it."

This had been two or three months ago. Lady Iltyd had not forgotten Basil's wish;...