Miklitsch | Roll Over Adorno | E-Book | sack.de
E-Book

E-Book, Englisch, 284 Seiten

Reihe: SUNY series in Postmodern Culture

Miklitsch Roll Over Adorno

Critical Theory, Popular Culture, Audiovisual Media
1. Auflage 2012
ISBN: 978-0-7914-8187-5
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

Critical Theory, Popular Culture, Audiovisual Media

E-Book, Englisch, 284 Seiten

Reihe: SUNY series in Postmodern Culture

ISBN: 978-0-7914-8187-5
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)



Moves from Beethoven to Buffy to examine the blurred nexus of elite and popular culture in the twenty-first century.

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Autoren/Hrsg.


Weitere Infos & Material


List of Illustrations
Acknowledgments
Script
INTRODUCTION: CRITICAL THEORY, POPULAR CULTURE, AUDIOVISUAL MEDIA
Popular Music
Sound Film
Television
Part 1. Popular Music: Hi-Lo Fidelity
1. ROCK ‘N’ THEORY: CULTURAL STUDIES, AUTOBIOGRAPHY, AND THE DEATH OF ROCK
A Side: The Birth of Rock, or Memory Train
B Side: Rock in Theory The Culture of Rock
Rock, Rap, and Riot Grrrls
World Musics: After Rock Imperialism
Production of Culture
Forced Choice: Britney or Avril?
My Generation
2. ROLL OVER ADORNO: BEETHOVEN, CHUCK BERRY, AND POPULAR MUSIC IN THE AGE OF MP3
Mass Culture, Ersatz Kantianism
From Beethoven to Fascism
Amerika: Beethoven or Bikinis
Radio Days
“Roll Over Beethoven”
Magic Spell and the Two Spheres of Music
MP3
Fantasia
REPRISE: BEETHOVEN’S HAIR
Part 2. Sound Film: Screen Theory and Audiovisuality
3. THE SUTURE SCENARIO: AUDIOVISUALITY AND POST-SCREEN THEORY
Theory: The Suture Scenario
Post-Screen Theory: Suture-as-Desuturing
Audiovisuality in Tongues Untied and Set It Off
Illustration A: Tongues Untied
“Lover Man”: Lady Day/Blue Boy
En Vogue
Illustration B: Set It Off
Cleopatra Jones Redux: Queen Latifah as Gangsta Butch Diva
G-Funk: Girlz N the Hood
Crossroads
4. AUDIOPHILIA: AUDIOVISUAL PLEASURE AND NARRATIVE CINEMA IN JACKIE BROWN
Cinephilia
Scopophilia
From Scopophilia to Audiophilia: The Gaze qua Race
Audiophilia: Auditing Jackie Brown
“Across 110th Street”: Overture
“Street Life”: Jackie as Femme Noire
“Across 110th Street”: Dénouement
Audiophilia Reconsidered: “Asking for It”
Counterpoint: Post-Soul Music or Pre-Gangsta Rap?

REPRISE: ALEX’S “LOVELY LUDWIG VAN” AND MARTY MCFLY’S WHITE ROCK MINSTREL SHOW
Part 3. TV: Television, Telephilia, Televisuality
5. GEN-X TV: POLITICAL-LIBIDINAL STRUCTURES OF FEELING IN MELROSE PLACE
PREVIEW
After the Reagan Dynasty: “Help Me, Rhonda”
From Race to Sex-Gender: Kiss Kiss, Bang Bang
The Romance of Capital: Fox, Female Address, and Postfeminism
Melrose Space: The Fashion Mode
Adcult: The Commercial Supertext
Review
6. SHOT/COUNTERSHOT: SEXUALITY, PSYCHOANALYSIS, AND POSTMODERN STYLE IN THE SOPRANOS
Shot: The Godfather
Citationality: The Gangster as Serio-Comic Hero
“I’m a Man”: Crossing Cultures
Psycho-Gangster TV: Seriality and Self-Reflexivity
A la Recherche du temps perdu
Primal Scene: Capicola as Proustian “Tea Cookie”
Countershot: Case Study
Black and Blue: Puzo’s Women
Repetition Compulsion: From The Godfather to The Sopranos
Beyond the University
Post-Mortem: Bad Love
D-I-S-R-E-S-P-E-C-T: Tele-Psychoanalytic Metatext
Après Coup: Analysis Interminable
Martini Shot: “Hall Hath No Fury”

REPRISE: TONY SOPRANO, MEET BUFFY THE VAMPIRE SLAYER
Notes
Bibliography
Index


Robert Miklitsch is Associate Professor of Critical Theory at Ohio University. He is the author of From Hegel to Madonna: Towards a General Economy of "Commodity Fetishism," also published by SUNY Press.



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