Specifying Ambient Worlds: Architecture, Music and Minimalism

1. Auflage 2021
ISBN: 978-1-4724-5042-5
Verlag: ROUTLEDGE

Buch, Englisch, 180 Seiten, Format (B × H): 174 mm x 246 mm

Specifying Ambient Worlds is structured around convergences and resonances between architecture and theory, sound and space, sense and affect, and all things ambient. It brings together a selection of historical inflection points, singular examples, and oblique strategies for designers to work from, such as Mies’ architecture, airport typology, and the increasing significance of mobility studies and sensory studies for expanding contemporary design practice. The book clearly defines the ’ambient’ as a concept and condition necessary for architectural excellence, and these specific works are used to maintain clarity and credibility in the exploration of atmosphere, ambience, and affect imbedded in the spatial logic of late modernity. It situates the lure of the ambient within the architectural thought and method of advanced modernity in a desire to augment the musical claims of the Ambient Century. This qualitative analysis of instances, principles, and concepts illustrated by architectural and sonic works is not the end, but the means to get to speculative and projective design strategies and methods, without being proscriptive or formulaic.

Autoren/Hrsg.

Mical, Thomas

Fachgebiete

• Geisteswissenschaften Architektur Architektur: Allgemeines

Inhaltsverzeichnis

Introduction

Converges: Ambient Music with Minimal Architecture

The Genesis and Structure of Universal Space

Mies‘ near-Silence

Optics Under Erasure in the Sensorium

Cage-Sapce and Vibratory Modernism

Three Theories of Ambient Architecture

Ambiguity, Atmosphere, and Affect

Sound Design: Negatives and Composition

Sound Design: Emergent Ambient Environments

Sound Design: Soft Mobility for Blurred Spaces

Airports for Music

Lo-Fi Architecture

Polar Minimalism

Über Autor(innen)

Thomas Mical is Associate Professor of Architecture at the University of South Australia’s School of Art,
Architecture, and Design. He is the editor of Surrealism and Architecture (Routledge, 2005) and multiple
chapters on diverse topics in applied architectural theory. He completed his professional Master in
Architecture at Harvard University Graduate School of Design with a thesis on Blade Runner urbanism for
Tokyo. His doctorate at Georgia Tech examined architectural history-theory of Metaphysical Urbanism, and
his second doctorate at the European Graduate School is on Hegel and the Genesis of Landscapes. He has
taught architectural design, architectural history-theory, research methods, and urban morphology
internationally, at the Technical University of Vienna, Georgia Institute of Technology, Rensselaer Polytechnic
Institute, Illinois Institute of Technology, University of Chicago, University of Florida, and Carleton University.
His professional design experience has been in Chicago and Tokyo. His research examines intersections of
Architectural Theory and Media-Philosophy.