Actors, Audiences, and Emotions in the Eighteenth Century

Communities of Sentiment
2023
ISBN: 978-3-031-22901-5
Verlag: Springer International Publishing

Buch, Englisch, 223 Seiten, Format (B × H): 148 mm x 210 mm, Gewicht: 321 g

Reihe: Palgrave Studies in the History of Emotions

This book offers an innovative account of how audiences and actors emotionally interacted in the English theatre during the middle decades of the eighteenth century, a period bookended by two of its stars: David Garrick and Sarah Siddons. Drawing upon recent scholarship on the history of emotions, it uses practice theory to challenge the view that emotional interactions between actors and audiences were governed by empathy. It carefully works through how actors communicated emotions through their voices, faces and gestures, how audiences appraised these performances, and mobilised and regulated their own emotional responses. Crucially, this book reveals how theatre spaces mediated the emotional practices of audiences and actors alike. It examines how their public and frequently political interactions were enabled by these spaces.

Zielgruppe

Research

Autoren/Hrsg.

McGillivray, Glen

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Kultur- und Ideengeschichte
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Mentalitäts- und Sozialgeschichte
• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Europäische Länder England, UK, Irland: Regional & Stadtgeschichte

Inhaltsverzeichnis

1. Introduction.- 2. Playing to Type.- 3. Communicating Emotions: The Arts of the Actor.- 4. Regulating and Mobilizing Emotions: The Audience.- 5. Mediating Emotions: Practicing Emotions in Place.- 6. Conclusion.

Über Autor(innen)

Glen McGillivray is Associate Professor in Theatre and Performance Studies at the University of Sydney, Australia. He was an associate investigator with the Australian Research Council Centre of Excellence for the History of Emotions, and his research focuses on the intersection between emotions and performance.