The 1850s United States witnessed a far-reaching political, social, and economic crisis. Symptomatic of this, a wide range of narrative fiction from sentimental novels to sensational drama identifies a foundational link between liberal institutions and performative utterances. Auctions, trials, marriages, and contracts, this fiction contends, all depend on the self-constituting authority of words and performances which anybody and everybody can appropriate and are always subject to misfiring. Rather than viewing this as a liberatory and egalitarian political force, however, writers from Herman Melville and James Fenimore Cooper to Captain Mayne Reid and E.D.E.N. Southworth insist that such naked authority must be supplemented. A broad swath of 1850s literature insists that this supplement ought to come from Christianity. Anticipating thinkers like Carl Schmitt and Giorgio Agamben, these works suggest that legitimate political authority depends upon its ability to represent Christian transcendence and account for revealed truth, something firmly outside of speech acts’ and performance’s purview. In so doing, this diverse body of fiction registers a desire to reconstitute political authority on transcendent and representable ground, augmenting institutional reliance on mere words and assuaging the contemporary crises of confidence and authority.
McDonald
Liberalism, Theology, and the Performative in Antebellum American Literature jetzt bestellen!
Zielgruppe
Postgraduate and Undergraduate Advanced
Weitere Infos & Material
Introduction: Liberalism, Performativity, Secularism
Chapter 1: "Sometimes a real one!": Mock Marriage, Performative Utterances, and Liberal Politics in Antebellum City Mysteries Fiction
Chapter 2: Auction Goers or Lynch Mobs?: Authority and Representation in The Quadroon and The Octoroon
Chapter 3: Republican Simpliticy on Trial: Courtrooms, Aesthetics, and the Law
Chapter 4: Contracts without Covenants?: Political Authority in Moby-Dick and The Confidence-Man
Chapter 5: Political Theology in Crisis: Orestes Brownson between Hobbes and Schmitt
Patrick McDonald is an Assistant Professor of American Literature and Culture at Bilkent University. He received his Ph.D. at University at Buffalo – SUNY and has been published in ESQ, Eighth Lamp, and Researches in African Literature.
