Clemence Dane

Forgotten Feminist Writer of the Inter-War Years
1. Auflage 2020
ISBN: 978-0-367-56889-4
Verlag: Routledge

Buch, Englisch, 276 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 557 g

Reihe: Routledge Studies in Twentieth-Century Literature

This feminist investigation of the works of Clemence Dane joins the growing body of research into the relationship of female-authored texts to the ideology and cultural hegemony of the Edwardian and inter-war period. An amalgam of single-author study and thematic period analysis, through sustained cultural engagement, this book explores Dane’s journalism, drama and fiction to interrogate a range of issues: inter-war women’s writing, the Middlebrow, feminism, (homo) sexuality, liberal politics, domesticity, and concepts of the spinster. It examines form and a range of fictional genres: drama, bildungsroman, detective fiction, historical saga and gothic fiction. It relates back to the genre writing of comparable authors. These include Rosamond Lehmann, Vita Sackville-West, Ivy Compton-Burnett, Dorothy Strachey, Dodie Smith, Rachel Ferguson, May Sinclair, Sylvia Townsend Warner, Daphne Du Maurier, G.B.Stern, and detective writers: Dorothy L. Sayers, Agatha Christie, Gladys Mitchell, Marjorie Allingham and Ngaio Marsh. Offering a picture of an era, focalised through Dane and contextualised through her journalism and the work of her female peers, it argues that Dane is often markedly more radically feminist than these contemporaries. She engages with broad issues of social justice irrespective of gender and her humanity is demonstrated through her sympathetic representations of marginalised characters of both sexes. However, she most specifically evidences a gender politics consistent with the fragmented and multifarious essentialist feminism that emerged following the Great War, which esteemed ‘womanly’ qualities of care and mothering but simultaneously valued female autonomy, single status and professionalism. Adopting the critical paradigms of domestic modernism and women‘s liminality, the book will particularly focus on the trajectories of Dane’s extraordinary modern heroines, who possess qualities of altruism, candour, integrity, imagination, intuition, resilience and rebelliousness. Over the course of her work, these fictional women increasingly challenge oppressive normative forms of domesticity, traversing physical thresholds to create alternative domesticities in self-defining living and working spaces.

Autoren/Hrsg.

McDonald, Louise

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Literarische Gattungen
• Sozialwissenschaften Soziologie | Soziale Arbeit Soziologie Allgemein Feminismus, Feministische Theorie
• Geisteswissenschaften Literaturwissenschaft Vergleichende Literaturwissenschaft
• Geisteswissenschaften Literaturwissenschaft Literarische Strömungen & Epochen

Inhaltsverzeichnis

Introduction

Chapter 1: Clemence Dane and the inter-war political, cultural and literary context

Modernism and the Middlebrow

Feminist consciousness

Social ills and liberal solutions



Chapter 2: women’s themes in inter-war drama

Women in the modern world

Contesting masculine abuses in plays about the past

Interpreting literary history



Chapter 3: Imperilled identities and submerged sexualities: romantic pathology in the coming-of-age novel 1917-1927

Lesbian loss: the amor impossibilia

Romantic yearning in heterosexual contexts



Chapter 4: Domestic choices: companionate marriage or living as a seule dame. Rejecting romance in gothic and saga writing 1924 – 1938

Fantastical fiction and female visionary experience

Family chronicles: women’s journeys from domestication to professionalism



Chapter 5: Subverting the models of golden-age detective fiction

Detectives, villainy and masculinities

Investigative women

Foregrounding the woman’s plot



Conclusion

Über Autor(innen)

Louise McDonald received her PH.D. in English on the topic of the writings of Clemence Dane at the University of Leicester. She is currently senior lecturer in English at Newman University. Her publications include: 'Clemence Dane's Fantastical Fiction and Feminist Consciousness' in Ehland, Christoph and Wachter, Cornelia (2016) Middlebrow and Gender 1980-1945 (Brill Rodopi), ‘Softening Svengali: Film Transformations of Trilby and Cultural Change’ in Cooke, Simon and Goldman, Paul (eds.) (2016) George du Maurier: Illustrator, Author, Critic London: Ashgate and ‘From Victorian to Postmodern Negation: Enlightenment Culture in Thackeray’s and Kubrick’s Barry Lyndon’ in Bloom, Abigail Burnham and Pollock, Mary Sanders (2011) Victorian Literature and Film Adaptation, New York: Cambria Press, She has also contributed articles on Clemence Dane and her work to The Literary Encyclopedia, Volume 1.2.1.08, Baldick, Chris and Childs, Peter (eds.) (2017) English Writing and Culture of the early Twentieth Century, 1945-present.