Buch, Englisch, 172 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 275 g
How to Write True Scripts for Creative and Commercial Video
Buch, Englisch, 172 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 275 g
ISBN: 978-1-032-53105-2
Verlag: Routledge
Whilst other texts focus on writing the next award winner, this can be out of reach both logistically and financially for many. Instead, readers will learn how to write what they want the eyes of the audience to see and the ears of the audience to hear, in such a way that the Producer and Director can read the creative blueprint and bring that vision to life. The text will walk readers through a focused and practical consideration of the camera, the edit, and the sound design, in addition to a straightforward application of basic story principles. By understanding writing for video as more than creating a recorded play, readers will become more effective screenwriters and, should they wish, Producers and Directors as well.
This book is ideal for students of screenwriting and those writing scripts for message-driven video for corporate, nonprofit, and commercial production.
Zielgruppe
Professional Practice & Development and Undergraduate Core
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Fernsehdrehbücher
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmdrehbücher
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Tanz Andere Darstellende Künste
Weitere Infos & Material
1. “Applied” versus “Basic” Screenwriting 2. The Story: The Pulse of the Script 3. The Production Team: The Target for the Script 4. The Format: The Structure of the Script 5. The Scene Description: Opening the Eyes of the Audience 6. Camera and Lighting: Focusing the Eyes of the Audience 7. Editing: Moving the Eyes of the Audience 8. Audio: The Ears of the Audience 9. The Conclusion: The Effect on the Audience 10. Appendix 1: How to Format a Script. in the Form of a Script 11. Appendix 2: The Narrative, the Split-Column, and the North Star 12. Appendix 3: Watching to Listen – A Filmography of Dialogue