Non-Violent Resistance

Irreverence in Irish Culture
1. Auflage 2018
ISBN: 978-1-78707-707-2
Verlag: Peter Lang

Buch, Englisch, 274 Seiten, Format (B × H): 150 mm x 225 mm, Gewicht: 389 g

Reihe: Studies in Franco-Irish relations

Humour, by its very nature controversial, plays an important role in social interaction. With its power to question assumptions, it can be used a weapon of subversion, and its meaning and interpretation are embedded within the culture that generates them in complex ways. The scrutiny of Irish culture through the lens of humour is highly revealing, contributing to an alternative, and sometimes irreverent, reading of events. As John Updike wrote of Raymond Queneau’s witty re-imagining of the Easter Rising, humour can effectively expose «casual ambivalence».This volume investigates the many ways in which writers, playwrights, politicians, historians, filmmakers, artists and activists have used irreverence and humour to look at aspects of Irish culture and explore the contradictions and shortcomings of the society in which they live.

Autoren/Hrsg.

Maillot, Agnès

Imbert, Jean-Philippe

Bruen, Jennifer

Maillot, Agne`s

Fachgebiete

• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Kultursoziologie
• Geisteswissenschaften Literaturwissenschaft Englische Literatur Irische Literatur
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften

Inhaltsverzeichnis

CONTENTS: Agnès Maillot: Introduction: Humour and Irreverence as Subversive Weapons in Irish Culture – Marie-Violaine Louvet: From Belfast to Jerusalem via Rio de Janeiro: Imaginary Geographies and Anti-Imperialism in Carlos Latuff ’s Political Cartoons – Felix Larkin: «The Long and the Short of it All»: De Valera, Seán T. O’Kelly and Dublin Opinion –Dónal Mulligan: Humour, Satire & Counter-Discourse around Ireland’s 2015 Marriage Referendum Online: An Analysis of #marref – Agnès Maillot: Rather Sex than Pistols: Good Vibrations and the Punk Scene in Northern Ireland – Fabrice Mourlon: Just Books: An Alternative Bookstore in Belfast – Valérie Morisson: Seán Hillen’s Troubles: A Long-Censored Satire of the Conflict – Wesley Hutchinson: «A Remnant in the Land»: The Ulster Scot, Writing and Resistance – Sylvie Mikowski: «Bringing the Big House Down»: Molly Keane and the Tradition of Irish Satire – Anne Goarzin: From Ireland, with Irreverence: The «Fierce Indignation» of Jonathan Swift and Paul Durcan – Vito Carrassi: Deconstructing and Reconstructing Irish Folklore: The Irreverent Parody of An Béal Bocht –François Sablayrolles: Seán Ó Faoláin and De Valera’s «Dreary Eden» – Eugene Mcnulty: Once more with Feeling: Restaging History in the Work of Gerald MacNamara – Maria Gaviña Costero: Mr Emmet will never have an Epitaph: Brian Friel’s The Mundy Scheme – Virginie Roche-Tiengo: Violence and the Catharsis of Beyond the Grave Counter-Discourse in the Theatre of Brian Friel.

Über Autor(innen)

Agnès Maillot is Associate Professor in the School of Applied Languages and Intercultural Studies at Dublin City University. Her main area of research is the Northern Irish conflict, particularly Sinn Féin and the IRA, on which she has published widely. She is also interested in multiculturalism in France and Ireland and is currently working on issues of refugees and asylum seekers in the French and Irish contexts.Jennifer Bruen is Associate Professor in the School of Applied Languages and Intercultural Studies at Dublin City University. Her research interests include many aspects of applied linguistics as well as political and citizenship education. She has published widely in these and related fields and is currently a member of the Royal Irish Academy Committee for Language, Literature, Culture and Communication.Jean-Philippe Imbert lectures in Comparative Literature and Sexuality Studies in the School of Applied Languages and Intercultural Studies at Dublin City University. He researches and publishes on literary and artistic representations of the Mexican, Irish and French twentieth and twenty-first centuries, focusing on the relationship between sexuality, gender and the aesthetic treatment of evil, trauma, angst and perversion.