Acts of Activism

Human Rights as Radical Performance
Erscheinungsjahr 2011
ISBN: 978-0-521-51922-9
Verlag: Cambridge University Press

Buch, Englisch, 334 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 697 g

Reihe: Theatre and Performance Theory

Madison presents the neglected yet compelling and necessary story of local activists in South Saharan Africa who employ modes of performance as tactics of resistance and intervention in their day-to-day struggles for human rights. The dynamic relationship between performance and activism are illustrated in three case studies: Act One presents a battle between tradition and modernity as the bodies of African women are caught in the cross-fire. Act Two focuses on 'water democracy' as activists fight for safe, accessible public water as a human right. Act Three examines the efficacy of street performance and theatre for development in the oral histories of Ghanaian gender activists. Unique to this book is the continuing juxtaposition between the everyday performances of local activism and their staged enactments before theatre audiences in Ghana and the USA. Madison beautifully demonstrates how these disparate sites of performance cohere in the service of rights, justice, and activism.

Autoren/Hrsg.

Madison, D. Soyini

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Tanz Kleinkunst, Kabarett, Varieté, Zirkus
• Sozialwissenschaften Politikwissenschaft Politische Kultur Politische Propaganda & Kampagnen, Politik & Medien
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theaterregie, Theaterproduktion
• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Afrikanische Geschichte
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Tanz Andere Darstellende Künste

Inhaltsverzeichnis

Introduction; Act I. Is it a Human Being or a Girl?: Scene 1. Watching 60 Minutes; Scene 2. Deep particularities; Scene 3. Klikor, the sage and the chief; Scene 4. Graduation day; Act II. Water Rites: Scene 1. Then do it!; Scene 2. The sense of being present; Scene 3. The aim to provoke; Scene 4. Who am I in all this?; Act III. Acts of activism: Scene 1. The white girl upstairs; Scene 2. Don't cry wail; Scene 3. I am an activist; Scene 4. Narrating theatre for development; Epilogue; Appendices: Scripts: Appendix 1: Is it a Human Being or a Girl?; Appendix 2: Water Rites.

Über Autor(innen)

Madison, D. Soyini
D. Soyini Madison is Professor of Performance Studies and Anthropology at Northwestern University.