Buch, Englisch, 472 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 860 g
Buch, Englisch, 472 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 860 g
ISBN: 978-0-19-938870-7
Verlag: ACADEMIC
Over the past fifty years, a unique hybrid genre of nonfiction cinema called the "avant-doc" has emerged in the world of independent film. Combining the unconventional techniques of avant-garde auteurs like Stan Brakhage with the verisimilitude of traditional documentaries, the avant-doc expands the way cinema captures and chronicles events. Drawing on firsthand interviews with nineteen of the form's chief practitioners and participants, Avant-Doc constructs an oral history that provides the first insider's perspective on the phenomenon.
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
- Table of Contents:
- Introduction
- Annette Michelson
- Robert Gardner
- Ed Pincus (and Jane Pincus, Lucia Small)
- Alfred Guzzetti
- Ross McElwee
- Nina Davenport
- Leonard Retel Helmrich
- Jonathan Caouette
- Pawel Wojtasik
- Michael Glawogger
- Susana de Sousa Dias
- Alexander Olch (on The Windmill Movie)
- Amie Siegel (on DDR/DDR)
- Arthur and Jennifer Smith (on Ice Bears of the Beaufort)
- Betzy Bromberg (on Voluptuous Sleep)
- Jen Proctor (on A Movie by Jen Proctor)
- Jane Gillooly (on Suitcase of Love and Shame)
- Godfrey Reggio (on Visitors)
- Todd Haynes
- Sensory Ethnography
- Ilisa Barbash and Lucien Castaing-Taylor (on In and Out of Africa and Sweetgrass)
- Lucien Castaing-Taylor (on his installation work and on Harvard's Sensory Ethnography Lab)
- Lucien Castaing-Taylor and Véréna Paravel (on Leviathan)
- Stephanie Spray and Pacho Velez (on Manakamana)
- Filmographies
- Bibliographies




