Relics of Death in Victorian Literature and Culture

Erscheinungsjahr 2017
ISBN: 978-1-107-43439-4
Verlag: Cambridge University Press

Buch, Englisch, Band 96, 261 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 385 g

Reihe: Cambridge Studies in Nineteenth-Century Literature and Culture

Nineteenth-century Britons treasured objects of daily life that had once belonged to their dead. The love of these keepsakes, which included hair, teeth, and other remains, speaks of an intimacy with the body and death, a way of understanding absence through its materials, which is less widely felt today. Deborah Lutz analyzes relic culture as an affirmation that objects held memories and told stories. These practices show a belief in keeping death vitally intertwined with life - not as memento mori but rather as respecting the singularity of unique beings. In a consumer culture in full swing by the 1850s, keepsakes of loved ones stood out as non-reproducible, authentic things whose value was purely personal. Through close reading of the works of Charles Dickens, Emily Brontë, Alfred Lord Tennyson, Thomas Hardy, and others, this study illuminates the treasuring of objects that had belonged to or touched the dead.

Autoren/Hrsg.

Lutz, Deborah

Fachgebiete

• Geisteswissenschaften Geschichtswissenschaft Geschichtswissenschaft Allgemein
• Geisteswissenschaften Literaturwissenschaft Literaturgeschichte und Literaturkritik

Inhaltsverzeichnis

Introduction: lyrical matter; 1. Infinite materiality: Keats, D. G. Rossetti and the Romantics; 2. The miracle of ordinary things: Brontë and Wuthering Heights; 3. The many faces of death masks: Dickens and Great Expectations; 4. The elegy as shrine: Tennyson and 'In Memoriam'; 5. Hair jewelry as congealed time: Hardy and Far from the Madding Crowd; Afterword: death as death; Bibliography.

Über Autor(innen)

Lutz, Deborah
Deborah Lutz is an Associate Professor of Victorian Literature and Culture at Long Island University, C. W. Post Campus. She is the author of Pleasure Bound: Victorian Sex Rebels and the New Eroticism (2011) and The Dangerous Lover: Gothic Villains, Byronism, and the Nineteenth-Century Seduction Narrative (2006).